Greek Coins: New Contributions and Studies — 1890

(601) 77 123. Br. 26 — F. 1OY. OYH. MAZIMOC K. Bust of Caesar with robe to the right. BR HPAKAEQT TO TIONTQ. Aphrodite in double chiton and peplos standing to the right, picking up her hair with her right hand, and in the foregoing holding the apple with his outstretched left hand. M.S. — Plate VI No. 5. | 124. Br. 17 — M. ANT. FOPAIANOC K._ Bust portrait of Caesar with robe to the right. R HPAKAE | Q(TAN TTON]. Pyre (7v@c) with four floors works and arched entrance; on top, flame. M. 8S. — Plate VI No. 4. Similarly, with Gallienus, in the Numerical Journal. I 1870 8S. 310, 6 plate VIII 7, where the building is described as a lighthouse. The type, however, is more reminiscent to those of the Roman imperial coins with CONSHCRATIO, as received Representations of lighthouses. 125. Br. 35 — M. ANT. FOPAIANOC AVI. Bust of the emperor with laurel and tank to the right. R MATPOE ATTOIKQN | TIOAIQN and in the section HPAKAEQT | ON. Zeus Nikephoros enthroned to the left. M.8. Also the coins with the same back and the image of Heracles*) instead Imperial portraits all seem to belong to the time of Gordianus. Juliopolis. 126. Br. 33 — IOYAIA KOPNHAIA TIAVAA CEB. Bust portrait of Julia Paula to the right. BR IOVAIOTT|O|AEITQN. Athena Nikephoros with the Aegis to the left sitting, the first arm on the one decorated with the Gorgoneion and on the throne supported by an ajar shield. Little Nike stands from the front on one Globe and hold a tanie with both hinds. M. S. — Plate VI No. 6. — Butkowski, Petit Mionnet p. 84. 1) Mionnet II, 440, 161; Suppl. V 56, 283; the k. Coincab. Berlin No. 875 etc.

78 (602) Nikaia, Era 283 BC) 127. Br. 29 — @AVETEINA | CEBACTH. Bust portrait the younger Faustina to the right. ~B NIKAI| EQN. Dionysus standing naked from the front, the rights over that head laid, the left hand on the decorated thyrsus staff, To his feet on the left a panther sitting facing left, the r. Front paw over a vessel holding. 1 ae A depiction of Dionysus as a child, sitting in a woven basket, I have it in the yearbook of the Arch. Inst. III 1888 8. 288 No. 7-9 plates IX 15 and 16 made known.?) The same type can be found on another coin form: 128. Br. 32 — M. ANT. FOPAIANOE AVI. Bust of the emperor with rays Crown and carapace to the right. B NIK | Ale | QN. Linkshin seated Athena or Roma Nikephoros; before the city goddess with a wall crown standing to her right and on her hands the child Dionysus, sitting in the cradle with his arms outstretched, Athena stalling. Paris. — Plate VI No. 8. See Mionnet II, 462, 285. In the child of Dionysus - as such on the detailed representations by the two given thyrsus rod, - is the év dixvm, in the grain wing, Seated Dionysus Axvitng can be seen.*) The word to Aixvoy was often downright used for a cradle*) and as such the basket weave serves the newborn god of the coin images. If only from the repeated appearance of the child Dionysus in the cradle on coins from the imperial period to close was, that this type is a cult image of Nikaia, this undoubtedly comes from the group of coin no. 128 out. On the following coin the child appears to represent not Dionysus, but Zeus. deliver: 1) Th. Reinach, Rev. Num. 1887 p. 362/68. 2) Since the coin no. 8 a. a. O. not shown, This is what is shown here on Plate VI No. 7 made up. 3) Thraemer in Roscher's Lexicon I 1039; Preller-Plew, Greek. Myth. (3) I 565, 1; Orph. Hymns 46, 1 and 52, 3; Plutarch, de Iside et Osiride 35 p. 365c (p. 61, 7 Parthey) ete. 4) Hymnos on Hermes 21; Callimachus, Hymns to Zeus 47 f.

(603) 79 129. Br. 29 — IOVAIA TTIA | AVIFOVCTA. Bust of Julia Domna on the right. BR NIKA | IEQN, To the right fleeing nymph with flying hair, in chiton and peplos; She places her first foot on a stone and holds her first arm child against the chest and, looking back, unfolds it in the raised one Right the Peplos, as it were to hide and protect the child. In trade. — Plate VI No. 9. Composition and movement are correct this group with the main character the larger tilers, which e.g. B. the nymph on coins from Apamea and Laodicea Adrasteia with the child Zeus in her arms and surrounded by corybants.) 130. Br. 833 — IOVAIA.| CEBACTH. Same Bust portrait to the right. In one round counterstamp, Nike to the right. ROMONOIA | NIKAIEQN. The Homonoia with the Kalathos on the Head sitting on a throne chair to the left, in the right a bowl holding over the altar in front of her, her left hand leaning on the scepter. M. §... See cat. Alher Taf, XI 6. 131. Br. 33 — Likewise, with the same counterstamp. BNI) KA | l€ [QN]. Bendis, with the crescent moon on his head and one Torch in each hand, in a chariot to the right, that of two jumping Bulls are drawn. Florence. — Plate VI No. 10. See Mionnet Suppl. V 112, 614, and further below section no. 147. 132. Br. 30 — M. ANT. FOPAIANOC AV... Bust portrait of Gordianus III with Radiant crown and armor to the left, in the left the spear, on the r. Poor him with the shield decorated with the Gorgoneion. R NIKA | | | EQN; in the middle of the field BOV | AH and AH | MOC and in the OMONOIA section. The demos, with half naked upper body standing to the right, the scepter in the left, and the right of the Bovdr, reaching, which with the tower crown on the head and the scepter in the left is facing left. M. 8. — Plate VI No. 11. 133. Br. 25 — [TTOV. AIK.] OVAAEPIANOE AV. Bust portrait of the emperor with Crown of rays and robe to the right. R AIONY | CIA | TIVOIA. Three prize urns with palm branches on one Tables at which OYAA and FAAA can be read; between the table legs NIK | AIE | QN. 1) P. Seguin, Num. mod. max. Table 29, 8; Mionnet IV 238, 268 and 270; Overbeck, Greek. Art myth. Zeus Mztaf. V, 6; Imhoof, year of arch. Inst. III Plate IX 19.

80 (604) M. 8S. — See cat. de Moustier plate V 3148; Postolakka, mint. of the Nat. Museum 1885 8S. 120 plates I 23; Lobbecke, magazine. f. Number XII S11,.8. The inscriptions on the table are in Ovedequcverca and Toddujvere mu. Nicomedia, Era 283 BC 134. Br. 22 — HPA AANOIA left, NIKOQMH. below. Bust portrait the Hera Lanovia to the right, covered with a goatskin, the horns of which are above the forehead rise. RB EPIt| ANOYTTATOY | OQPIOY. Horned boar jumping to the right: underneath pvor, iui f. Mus. Naples. — Plate VI No. 12. This piece is in Fiorelli's catalog no. 7821, and a similar imperfect obtained described in Mionnet Suppl. V 168, 977. The caption “Hoa Aavota gives the explanation of the head: it is the one who Juno Lanuvina or Sospita or Caprotina, which, as is well known, also comes with that Goatskin, very common on coins of the Remian Republic. The inter- vocale v of the Roman name Lanuvina is in the Greek transcription, as not uncommon in similar cases,') failed. The head of the Lanuvian Juno was, among other things, the type of the Remish Lanuvin denarii L. Thorius Balbus, who died in 79 BC.?) Thorius Flaccus, perhaps son of Yorigen, rare coins of Nikaia and Nico- According to Medeia, under Augustus Proconsul in Bithynia,?) and preached here with the Roman type of his family. Instead of the bull, the one on the back of the denarii appears, the Bithynian copper coin shows a boar, whose attribute, the horn, seems difficult to explain. In the rushing (Jove.og) Movement of the animal but, as with the bull, there may be an allusion to the name Thorius. In the revue number 1884 p. 402, 3 plate XVIII 38 and again in , Petit Mionnet* P. 82 has A. Butkowski a copper coin with supposedly HPAKAEA TIPQTH BIOYNIAS and Hera published, which should be corrected as follows: 1) I am only quoting the orthography of the name IOYOYENTIOC (Perinthos) and JOYENTIOC (Pessinus) and, according to a communication from Usener, as a fully valid analogue, the Spelling ‘Oxzdioc. for the name of the month named after Octavia, the sister of Augustus. 2) Babelon, Monn. de la Republic rom. II, pp. 487 and 488. 8) Mionnet II 450, 211 and 466, 303.

(605) 81 135. Br. 28 — AYT. AOMITIANOZ K/| AIZAP ZEB. FEPM. Head of the Emperor with rays to the right. Kh H MHTPOTTOAIZ KAI TIPQTH BIOYNIAG). Demeter with veil standing to the left on a chariot drawn by two winged snakes, a poppy head in the right and the scepter in the left. M.: 3: 136. Br. 29 — Likewise, with laurel on his head. RH MHTPOTTOAIZ KAI TTPQTH BEIOYNIAZ KAI TTO. and in Fields NK | MH. Zeus, with bowl and scepter, enthroned to the left. ii 137. Br. 17 — AYT. AOMITI. KAIZAP XEB. TEP. Head of the Emperor with Lore beer to the right. Kh NEIK. TIPQT. AITTONT. KA! BEIOY. Fiillhorn. M.S. The reading AITTONT. is certain, but the word is quite unusual, although not without analogies, such as B. in Oichacoog, dudrapog etc. You might know remember whether under Domitian the Galatian parts of the Pontus was united with Bithynia, and therefore the capital of the entire province calls itself the 2ewrn of the Auxovtog and Bithynia. 138. Br. 23 — AYTO. NEP. TPAIANOZ KAIZAP ZXEBAZ. FEPMA. head of the emperor with laurel to the right. fe (EN) [OVierBAZZOYUANO] Vine? ]. Demeter with veil, ears of corn and torch standing to the left. M.S. This piece, entirely Bithynian in character, was undoubtedly found in Nicomedeia. prigt, on whose coins the same type of Demeter often appears. From the up- writing of the Rs. shows, that the mint a testament to Proconsul Julius Bassus is whose name was previously unknown in numismatics. Dr. Pick had the goodness to draw my attention to it, that this Bassus in fact Bithynia and had taken office under Nerva's government.t) Ours Mint shows that he continued it under Trajan, and there was the proconsulate was usually one-year, the bassus and the date of minting apply in the years 97/98. 139. Br. 18 — AVT. KAICAP | ANTQNINOC. Head of Antoninus Pius with Laurel to the right. K MHT. KAI TTPQT.| NIKOMHAEI. Herm with youth head, holding the first arm in front of the raised robe. Left of the base, Kleme Schiffsprora. Mus. Naples No. 7827. — Plate VI No. 18. 1) Plin. Sec. Epist. IV9. See Mommsen, Hermes III 45. Dep. d. I. Cl. d.k. Ak. d. Know. XVIII. Vol. III. Abth. (80) 11

82 (606) 140. Br. 18 — Likewise, with a caduceus instead of the prora. Mus. Naples No. 7828. Vienna. Paris. Mionnet II 469, 320 and Suppl. V 178, 1039, both inaccurate. 141. Br. 19 — ANT QNKAI| CAP CEB. Bust of Antoninus Pius with robe to the right. K AHMHT. | NEIKO. Demeter standing to the left, with two ears of corn in her right and the torch in the left. Mus. Philippopoli. See Mionnet Suppl. V 177, 1032 and 1034. Prusa on Olympus. 142. Br. 33 — AV. NEP. TPAIANOC KAICAP CE. FEP. AA. Head of the Emperor with laurel to the right. RB OAYMTTOC TIPOVCA | EQ(v). The mountain god Olympos, bearded and with Naked upper body, sitting on the left, the right on the knee, in the left holding a branch or enclosing a tree with it; before the god second tree. In The Hague. — Plate VI No. 14. 143. Br. 25 — AV. NEP. TPAIANOC K.C.F.A. Same head. R TIPOVCEQN (like this). The nymph of the Olympus mountains with half-naked Upper body sitting on the left between two trees, the right on the knee, grasping a branch with his left hand. Munich. — Plate VI No. 15. Sestini, Latvia. num. contin. VII 59, 4 Plate IL 17 with supposedly TTPOVCIEQN. Both coins are the product of one and the same die cutter. Your style is massive and raw, a characteristic that is strikingly often found in Asia Minor Coins from Trajan's time can be seen. The inscriptions also have their own a strange impression, as if they had already been revised in the stamp itself. With the larger pieces is also the assumption of a modern revision not excluded. What on No. 148 Sestini considered one iota, is not a letter, but a mere unevenness of the stamp. But for the resulting letter is: In any case, to assume A, like the similar double item No. 142 has. Also the mountain god and not a river god, like Pinder, or Zeus, like that Wieseler suspects that the following piece shows: 144. Br. 28 — KAI. A. AVPHAIOC | KOWWOAOC. Bearded head of the emperor with laurel to the right.

(607) 83 BR TIPOVEA | EQN in section. Mount Olympos with trees on it Hanging out and a gorge through which a river flows to the right. At the summit lies to the left the mountain god, the left arm Rock supported. Berlin. — Plate VI No. 16. Pinder, Num. ant. 1834 8. 27 Plate II 2; Miiller-Wieseler, memorial. II (8) No. 17d. I have other depictions of mountain gods and mountain nymphs in the yearbook of the arch. Inst. 1888 8S. 289-296 Plate IX 18, 20, 25-27 made known and discussed. Tion. About the minting of Tion before the imperial period is mentioned above (p. 64/65 = 588/89) been the talk. Here is a description of some unedited pieces from more recent times. 145. Br. 24 — AYT. NEP. TPAIANOZ K/AIZAP ZEB. TEP. head of Emperor with laurel to the right. RB AZKAHTTIOZ | LQT(7e) TIANQN. Asclepius to the left standing, the Rights on the serpent staff. M.8. 146. Br. 19 — AYTO. KAICAP | ANTQNEINOC. Head of Antoninus Pius with Laurel to the right. R YIFEIA | TIANQN. Hygieia standing to the left, a bowl in her right, from which the snake feeds. M.S. 147. Br. 19 — AYT. A. AVPH.| OYHPOC. Head of L. Verus to the right. RK TIANQN in the section: Bendis with a crescent moon on his head and two torches, in a chariot to the left, driven by two high-jumping zebu bulls are drawn. M. 8S. — Plate VI No. 17. See Nikaia No. 124. 148. Br. 25 — M. ANT. FOP| AIANOC AVI. Bust of the emperor with rays Crown, armor and robe to the right. R TIA|NQN. Dionysus from front standing, naked, the r. Poor about the Head turned to the right, the left over one shoulder of the one to the left standing Pan, who supports the drunken god. Before this a satyr with Pedum in a dancing movement to the left, with your right foot kicking something. M. 8. — Plate VI No. 18. a Ds

84 149. 153. (608) MYSIA. Adramytion. Br. 10 — Bearded head to the right. BRAAPA. Anterior part of a hippocamp to the right. Gr. 0.97 M.S. See Monn. gr. 8. 246, 90. . Br. 12 — Likewise, with AA | PA | N[v4 J; Pop pik. . Br. 18 — Female head to the right. B AAP | AM. Two owls with one head. Gr. 2.10 M.S. _ Br. 16 - NIKOAOXOY under a bi-like head with laurel on the left. Pkr. 5 AAPAMY | THNQN. Rider with flying coat and more elevated r. Hand to the right in canter. In the field to the left A. is: O, 107 Dl.. i Br. 18 — XEBAXTOY behind the head of Augustus with laurel to the right. BR FEXXIOS itiber the same type; under the horse, AP: monogram of the city name. M.S. Mionnet III 217, 1211 describes a similar piece with A. FEXZIOX XMYP. The name Smyrna is undoubtedly based on a reading of the monogram of Adramytion, which can be attributed to the occurrence of a Gessios Philopatris on Smyrna- Italian coins from the time of Claudius and Nero seems to be. 154. Br. 27 — AYT. K.M. ANT. | FOPAIANOC. Bust portrait des Kaiser with Laurel and robe to the right. R €TT CT. K. &. NACIOC AAPAMYTHN. Eagle with unfolded wings, head turned back and a wreath in the beak, to the right on one basket-like objects standing. M. 8S. See Mionnet Suppl. V 284, 48. Apollonia. When I saw the autonomous coins with the anchor type, which used to be common given my Abydos, denied this city and given it to another place on the Propontis was looking for, I thought the almost constant sign of cancer (goraxdg) and because the chronological arrangement of the mint groups also changed histo-

(609) 85 seemed to conclude correctly that I should suggest Astakos, whereas my friend was against it Mr. J. R. Six preferred Ankore to me for that time because of his Inland location was less liked. While the printing of my note intended to justify the new allocation, into the Mon. gr. 8. 232-238, I still had the impression of a piece with that Anchor became known, the description of which I will subsequently provide under No. 25a on could switch. What I had missed was soon discovered by Dr. Jan Six in his excellent dissertation 'De Gorgone' 1885 8. 37-42 very correctly raised, namely that this single piece has the usual place name through the mere initial A is missing and therefore the inscription ATOAAQN not as Magistrate name, but should be understood as a city name, for the only Apollonia am Ryndakos, already mentioned here when discussing the possible location of Kaisareia Germanike was mentioned (p. 73 = 597 ffg.), could come into consideration. p. 41 no. 5 In Six's writing, a drachma from the Paris Cabinet is also mentioned, which also only shows APOAAQN. However, there is no lack of examples of magistrate names on old coins occur alternately with and without location information, and this circumstance and unsolved Geographical questions do not eliminate all objections to the new allocation were able to that's how it was I am very welcome, among the more recent acquisitions of the Berlin Museum to find a silver coin, which ultimately proves the accuracy of the Six’s attribution beyond any doubt. 155. P. 20 - Standing naked Apollo from the front, with his right hand on one supporting a long branch, holding a bow and two arrows in his left hand. iAP|O[A]. Anchor. Gr. 3.62 Berlin. — Plate VI No. 19. Here the inscription is certainly the place name and thus the assignment of the others older anchor coins finally secured. The type and style of the drachma are the like the last one in the Monn. gr. 8. 237 described copper coins No. 48, on which oxidation the attributes in the god's left no longer revealed. Both pieces are of fairly rough work, so they just as well could belong to the 2nd or 3rd century BC. The representations of the god Apollo on the Apollonian coins the Imperial times are quite diverse. Most frequently appears he with raised Poor people next to a siiule.t) The following type seems to be still unknown: 156. Br. 80 — AY. KAI. M. AVPHA., KOMMOAOC. Bust portrait of the youth Commodus with laurel and robe to the right. 1) Overbeck, Greek. Art myth. Apollo 8. 303, 87 and 88; Mztaf. IV 41 and 42.

86 (610) R ATTOA| AQNIATON. Naked Apollo standing leaning forward to the left, the right leg supported on a base, the first hand on the hip and in the right, which rests on the knee, holding a (blurred) attribute; at the foot of the base an indistinct object, maybe a cancer, that Symbol of the autonomous coins of Apollonia. M.S. — Plate VI No. 20. 157. Br. 25 — Likewise with AYPH. RB ATIOAAQNIATQ|N TIPOC PYNAA. Youthful figure with long curly hair and in a short chiton, standing to the right, with both arms holding a pig. M. ‘8: — ‘Plate VI No. 21, After the poor illustration of a similar coin by Arigoni P. [V plate 50 Mionnet Suppl. V 291, 69 described the type as a shepherd with a goat. The hair The figure's hairstyle is Apollonian; but the costume and attributes of the same contradict this Interpretation of Apollo. 158. Br. 31 — M. AYP. ANTQNINOC AVFOVCTOC., Head of Hlagabalus with laurel to the right. R ATTIOAA[QNIATQN] and in the section PYNAAK | O.C. The river god Ryndakos, bearded and bare-chested, lying on his left, his right laying on a ship's prora and holding a reed in his left hand; Behind it is an overturned water jug ​​from which water is pouring. Munich. — Plate VI No. 23. By Sestini Lett. num. contin. VIII 31, 6 incorrectly stated as a large medallion. 159. Br. 28 — M. ANT.| FOPAIANOC, Bust of the emperor with laurel and Robe to the right. RB ATIOAAQNI|ATQN TT. PY. Naked Aphrodite standing to the right and turning his head backwards. The rights touches the heel of the backward arches r. leg to close the sandal read, she supports herself with her left hand on the tail of a dolphin, the head down host before the goddess on- is directed. M. 8S. — Plate VI No. 22. Among the coin types, I can't find any depiction of the coins that is similar to the one above Aphrodite; On the other hand, there are bronze statuettes with a related motif.') The dolphin forms the support of the statue. 1) Miiller-Wieseler, Denkm. II 283; Liitzow, Munich Antique Plate IV etc.

(611) | 87 Assos, 160. Br. 22 — AYT. K. M. AVP.,ANTQNEINOC. Bust portrait of the young person Caracalla with laurel and robe to the right. RB ETT! CTP. AVP. FAV|KOV ACCIQN. Clothed male figure standing left, in the right holding a small vessel,' the left in robe. M.8. I have several other coins from Assos in the Num. Magazine. XVI 264, 82-84 described. The weight of Head, Hist. num. The tetradrachmon listed in 448 is 15 gr. Attaia, This is where the two of them belong in the Monn. gr. p. 394 no. 63 and 64 described benen coins. The back of the latter, with Crispina, is pictured in Imhoof and cellar, animal and plant pictures, plate X 10. 161. Br. 20 — IEPA CV NKAHTOC. Unborn bust portrait of the Senate with Ge- wall to the right. R ATTA |ITQN. Naked male figure with short hair, with the Upper body tilted forward, standing to the right, with the first foot on a rock supported and both arms over the |. Knees laid. M. S. — Plate VI No. 24. See the inaccurate descriptions at Mionnet Suppl. VIL 515, 172 from Mus. Pembroke II, V 12 and 173 from Sestini. 162. Br. 29 — AY. CAL. M.AYP.;:ANTQNEINOC. Bust portrait of the youth Caracalla with laurel and robe to the right. B CTP. POV@OV ATT |AITQN. Same figure to the right; facing her Zeus or Demos with a naked upper body standing to the left, the right slightly outstretched, the scepter in the left. Munich. — Plate VI No. 25. — See Mionnet Suppl. VII 518, 186 to Sestini, supposedly with Poseidon and Asclepius. The naked young man in a position of resting and looking out appears to be one To be a hero or founder figure. 163. Br. 46 — AV. KAI. A. CETTTI. CEV | HPOC TTEPTI. AVTO. | KAI. M AV.ANTQNO. The facing busts of Septimius Severus to the right, and the youthful Caracalla to the left, both with laurel and robe.

88 | (612) B€TTI CTP|A. POYDOV|B. ATTAI and in the TOQN section. In the foreground basically a young river god with a naked upper body lying to the right, the right arm over the spring urn. In the background 1. a tropaion, over which Caracalla, in warrior's garb, raises his right hand; this is from in front, his head turned to the left, and the spear in his left. Right the demos stands from the front, head to the left, with a bare upper body, with the Wreathing the emperor on the right, the scepter on the left. Mus. in Philippopolis. came, According to Sestini, Latvia. num. cont. IX p. 20 Cousinéry had various coins found or acquired in the otherwise unknown city of Kame in Mysia. Sallet believes perhaps rightly so, the place could also be found in the neighboring landscape of Aioli. have laid.1) The name Tryphon, which appears on Kamenian coins, appears However, this does not seem to be a sufficient reason for the proposed transfer, since that not only on lesbian, but also on other coins of Asia Minor Imperial period takes place, e.g. B. on those from Ephesus, the Carian Nysa,") the Phrygian Apamea (No. 656), the Kilbian*) etc. as well as in very numerous inscriptions. Under these circumstances For the time being, I'm still sticking to Consinéry's old assignment. 164. Br. 14 — KAM|HNQN. Bust of Zeus Sarapis with Kalathos and weapons wall to the right. BK AHMH | TPIOY. Phallic herm with bi-like head to the left. M. 8S. — Plate VI No. 26. Compare number Chron. II] 97 and VI 148; Head, Historian num. p. 479. The name Demetrios comes with the title of strategist on coins with the head of Commodus. 165 Br. 27 = AAPIANOC | KAI. OAYMTTIOC. Head of the emperor with rays crown to the right. BE KAMHNON €TTI CTP. [1?]O[V?] TPV@WNOC. Youth Dio nysos in a short chiton standing to the left, a vessel in his right, the Left at Thyrsos; at his feet, leaping panther. M.8. 1) Magazine fir Num. XIII p. 70. 2) Mon. gr. 313, 73a. 3) Numerical journal XX 1888 pp. 15, 26.

(613) 89 Kisthene, Into Latvia. num. cont. Il 8.67 Sestini has a small coin from Kisthene described, which neither Mionnet nor Head included in their works. There also If the description on the main page of the piece is inaccurate, a corrected one follows here. 166. Br. 12 — Bearded head with the Persian miter to the right. K KIZOA under a rider galloping to the right. Munich. — Plate VI No. 27. As is well known, the same head is shown by various satrap and state tempts from Mysia and the Troas; There are publications from the 4th century BC, among which The Kisthenic coin can also be counted. Cyzicus. As shown by a cast of the didrachm, which I placed in the Monn. gr. 8. 243, 77 described, is the head with a crown without a diadem decorated. This Diadem at the head of the tetradrachms with the torch on the back+) is also the decoration of the head of Apollo in the tetradrachms of Myrina and Alabanda.?) But on some of the Cycian pieces the head also has a ring and a collar bears, it is actually not unlikely that he represents Apollonis, whose deification is attested by inscriptions.*) 167. Br. 19 - Head of the Kore wreathed with ears of grain to the right. Pkr. RB KYZIKH|NQN. Wolf to the right, with a boy in its throat. Pkr. Gr. 2.94 M. S. — Plate VII No. 1. 167a. Br. 18 — KO| Ph. Similar head to the right. & KV ZIKHN| QNEO. Strauss striding to the right. Dr. H. Weber London. — Plate VIL la. See Mionnet II 555, 151. The ostrich as a coin type also appears on Thracian coins from the imperial period see Imhoof and Keller, animal and plant pictures 8. 36 plate V 52. Many interesting Cycian coin types have been discussed in recent times depicted by Riggauer, Magazine f. Number VIII 88, plate I 18 (Eros), Overbeck, Greek. Art myth. Apollo Mztaf. III 21 and 39, 8. 314, V 9 (Apollon with the Gorgoneion), Imhoof and Keller, animal and plant pictures see register there- itself p. 162, yearbook of the arch. Inst. 1888 P. 296 Plate 9, 29 (dancing satyr 1) Head, Guide Plate 48, 6 and Hist. num. 453 and 454; Gardner, Types Plate XIII 32. 2) Overbeck, Apollon Maztaf. II 70. 3) Lebas and Waddington, Vog. arch. Explicit. of the Inser. III p. 50. Dep. d. I. Cl. d. k. Ak. d. Know. XVIII. Vol. IIT. Abth. (81) 12

90 | | (614) in front of a seated nymph). The group of Hirene with little Pluto, the U. Kohler in the communication. Athens VI 365 states, is also in Ch. Lenormants New Gal. myth. Plate XIV 6 shown. To the mons. gr. 8. 245, 86 comes the following variety: 168. Br. 28 — Same as No. 86 the Mon. gr. with the inscriptions AVT. NEP. TPAIANOZ | KAIZAP ZEB. AP. and AOHNA LQTI\PA KVZIKHNQN. M. S. — On Plate VII No. 2 the illustration of the Paris example. The piece shown is the coin with the inscription Mionnet II 538, 168 AOMNA ZQTIPA read has, herein blindly Pellerin, Recueil III 8. 231, Plate CXXXIII 1 and Additions aux 9 vol. 8S. 5 Fig., following, of the alleged Aopre wanted to trace it back to the Latin “domina”.t) The Aegis, which alone should have led to the correct reading, seems to be neither from one nor the other been noticed to be. This type of Athena Soteira and Nikephoros, with the Kalathos as a headdress, comes to my knowledge otherwise nowhere. 169. Br. 45 — KOPH CQTEIPA|KVZIKHNQN, Bust portrait of the younger Faustina as Kore to the right. , RB ETPAT. NAIB. KVINTOV and in section ETT! OMONOIA KV | ZiK. CMYPNAI. Demeter or Kore, with both hinds carrying a torch stopping, standing to the right in a chariot driven by two centaurs is drawn. One of the latter, youthful or female, turns the Head back to the goddess and hold a pedum to the right. Arm; the other, bearded, carries a bowl of fruit or fruit in his outstretched right hand Cake. In front of the two-horse team, Eros to the right striding and back- looking.?) In the background, between the heads of the centaur couple, Horned Pan to the left, blowing in a straight and a curved flute and, in front of the gettin, a mainade to the left, striking the tympanum. MBehind the car, a native man with a short chiton walking to the right in the right hand a basket filled with fruit on his head, in the left holding the staff. Paris. — Board VII No. 8. Mionnet II 542, 195; Miller-Wieseler, Thinkm. II No. 101 and 115. Cat. Greppo 1856 plate IL 826, with often incorrect description. K. O. Miiller sees the Géttin as Kore, as seen by Eros in the Bakchian is led to meet Dionysus.*) The alleged wreath with ivy is 1) See Eckhel D. n. II p. 452. 2) Above the Eros figure there is a wing and a Part of the eroscope visible again. 3) Handbook of the Arch. of Art (3) § 358, 7 and monument. a. a. O.

(615) 91 not noticeable on the coin, nor the notch in the right hand of the coin Kore, which was undoubtedly led to the assumption by the already mentioned error. The clothed figure behind the procession, who is declared to be a winemaker, is also likely more correctly dxvoqoeocg, basket trigers are called. In no case is it Silenus, as which not a single feature characterizes it. The same figure appears another coin again: 170. Br. 42 — AV. KAI. A.A.V. COMMOAOC | EY. POM. HPAKAHC. chest Image of Commodus, bearded, with laurel and robe to the right. B KVZIKHNON in the section, NEQKOPQN above. Naked Dionysus with Kantharos and the staff of Thyrsos standing to the left in a chariot, which consists of two Panthers are drawn. In front of these is a basket carrier wearing a short chiton with belt, walking to the left, in the right the stick, with the left holding the basket on his head. In the background Pan to the left, his head turning back to the god, pointing forward with the right hand, in the Left the Pedum. Berlin (Fox). — Plate VII No. 4. On coins from Teos and Carian Antioch, which have much to do with Bacchic Types embossed, you can find the basket carrier (Auxvogogog) as a single figure. Because that Descriptions in the Monn. size 8p. 297, 133a, 305, 10 and in the journal. for Num. XII 321, 2 no illustrations added are, like that follow these here Plate VII No. 5 (Lébbecke) and No. 6 (m. 8.). The basket is without a doubt that Aizxvov, in which the first fruits of the field were sacrificed to Dionysus and which was usually worn on the head at Bacchic festivals. 171. Br. 31 — AV. K.TT. AIK. TFAAAIHNOC CEB. Bust of the emperor with Laurel and robe to the right. iCTPA. AOK. CEBHPO | V MAC. KVZIKH | NQN and, in the section, AIC NEOKO | PON. Tyche with rudder and horn standing to the left. M. 8. — Vel. Cat. de Moustier No. 3229. Gambreion. That earlier, and also from Head, Hist. num. 8, 500, transferred to Jonien Gambreion lay along with Palaigambreion between Pergamon and Germe!) and was like that a Teuthrant city. There are only impressions from the 4th and perhaps still 3rd century known before Christ, a hemidrachm and copper coins with the head of Apollo on the one hand and on the other hand the three different types of bull, 1) Ed. Thraemer, Pergamos 1888 pp. 198 and 220. ia

99 (616) Tribrach and star, each in two denominations of around 4 and 1 gr. Weight. To This group also includes a small copper coin who already Jan Six, de Gorgone 8. 44 described a specimen: 172. Br. 9 - Head of Apollo with laurel to the left. &ay . Gorgoneion with tongue hanging out. Gr. 0.90 M. S. — Plate VII No. 7. fii ausis: , 0.53 (7 M.) M.S. Parma, Copenhagen. Colony Parium, To Monn. I have gr. pp. 252-255 in the Num. Zeitschr. XVI 1884 p. 297 -300 some additions and corrections given. Head leads in the history. num. P. 459 a coin from the Colonie Parium with the label HAMMON, its description, at my request, unfortunately not more could be found. Perhaps it was a copy of Pellerin's, Rec. III Plate CXVI 2, probably inaccurate, depicted coin with the following under pretty much agrees with my vague ones: 173. Br. 15 — [HA]MMON behind the head of Zeus Ammon to the right. R HORT.|COL. P Two ears of corn. From the last letter only the upper part is pronounced, so that too D would be possible. Strange and at the moment inexplicable is the inscription of another pari- schen coin: 174. Br. 15 — IMP. CAESAR| TRAIANVS AVG. Bust of the Emperor with Lore beer and tank to the right. BR IAMISA | VG and in section C, G.I.P. colonist, with the cinctus Gabinus dressed, behind a plow pulled by two cattle on the right standing there. M.S. The inscription is presumably |, A. MIS. AVG. to read. Pergamum. 175. Br. 10 - Female head with a wide band to the right. BP | EIT Two facing each other nia aaa Gr. 1. M.S. — Plate VIL No. Munich.

(617) 93 176. Br. 10 - Head of Apollo with laurel to the right. R PEP over two calf heads facing each other. Size: 0.65 (M28: 177. Br. 10 — Likewise with MEPIA under the heads. Gr. 0.83 M.S. The copper coins with the bull or cow heads are younger than the previous ones. standing, those in their fine work, like those of Teuthrania etc., the 4th century BC. As is well known, the beetles facing each other are and veal skies lesbian mint types, those of the Pergamenians without a doubt as a prerequisite picture served. 178. Br. 20 — AV. KAI. |AAPIANO. Bust of the emperor with laurel and gifts wall above the |. Shoulder to the right. R TTEPFAMH. €TT|! CT. KA. KE@AAI. and in the field left TQ B. Hermes? naked, to the left standing, on the right a ram's head holding the robe in the first arm. M. 8. and Fox, Greek coins II 37. Fox thought the right hand attribute was a snake. The figure with the A ram's head on the hand occurs six times later on Pergamene copper, e.g. b. Mionnet Suppl. V 469, 1147, where the attribute is described as 'céne*, 474, 1168 (corrected by F. Streber, Num. non. gr. 8. 197) etc. 179. Br. 37 — AV. KAI. M. AVPHAI.| ANTQNEINOC. Bust of M. Aurelius with. Laurel, armor and robe to the right. REN! CTPATHPOV APICTEO|V TTEPTAMHNQN B. NEOKOPQN. Asclepius with a naked upper body, standing to the right and looking back, the right hand on the serpent staff, the left covered in a robe. M.8. On others simultaneous coins is the name “4guoréag of Mionnet II 602, 584 KAPICTEA and Suppl. V 442, 1011 KAA. APICTEA specified. 180. Br. 85 — M. AVP. KAI|CAP KOMOAO|C. Head of Caesar with robe to the right. BET! C[TP. KA. NIKOMHAO | VC B. NEQKOPQN and in section TTEPFAMHN[QN]. Hermes naked with flying chlamys, to the right striding, dragging a ram by the front feet with his right hand, in his left hand the staff. In front of him, ram's head on a stele; behind him, tree. M. 8. — Plate VII No. 9. 181. Br. 44 — AVTO. KAI. M.| AVPH. KOMOAOC. Bust of the emperor with short beard, laurel and robe to the right.

94 | (618) K KOINON TTE| PFAM|HNQN K. E®ECI. and in the section €TT! CTP. TTI | OV. Asclepius standing to the left, his right leaning on a scepter, around which a snake curls up; in front of him Artemis in a double chiton, standing to the right, the stove over his shoulder, his left hand on a torch supported, and holding out the serpent's right hand. M. 8. — Plate VII No. 10. See Mionnet II 606, 605. The Artemis figure This coin is of particular beauty for its time; on other coins of the Strategos Iiog and other frequent coins besides Asclepius well-known idol of Artemis Ephesia to appear.') Riggauer published a rare depiction of Eros in the magazine. for Number VIII Plate I 17 given. Since there is a more detailed description of the text on page 88 Something is missing, so I'll make up for it here: 182. Br. 35 — Same inscription. Bust portrait of Commodus with laurel, Tank and robe to the right. Bh Mek 2, CA | VKQNIAN[OV TTEPFAM] and in the field HN|QN; in the off- cut NEOKOP[QN]. Standing Eros from the front next to a tree. The god leans his first arm on a branch, while his right arm rests on it rests on the head. Florence. 183. Br. 20 — IOVAIA M|AICA CEB. Bust of Julia Maesa to the right. & TTEPPFA|MHNQN. Demeter with ears of grain in her right hand and a torch in her the left, standing to the left. M.8. 184. Br. 31 — AVTKP. (see above) K. M. AV|P. CEB. AANEZANAPOC. Bust portrait of Emperor with laurel and armor to the right. R€TT! CTP. K. TEPTY|AAOV TTEPFAMHNQN and in the field left TTPQ2. F. NEQ | right KOPQN. Feminine Cult image from front, in double chiton, with kalathos and veil on the head; on each hand an indistinct attribute with tanie hanging down. M. 8S. — Plate VII No. 11. In the attribute of the 1st hand you want a fluttering bird with head- bush, in the one on the right a flower. Because of the Tanien s. Th. Schreiber, Arch. Zeitung 1883 p. 285 note 19 and ff. 185. Br. 40 — AVT. K.TT. AIKIN. | CFAAAIHNOC. Bust portrait of the emperor Laurel and armor to the right; on the tank the Gorgoneion, in the |. hand a spear slung over his shoulder. 1) Cat. de Moustier plate III] 1957; our plate VII No. 12 etc.

(619) 95 EEF FT. ‘C62 KA: CEl| AIAN | OY | TTEPFAMHN® |N; in the KAI section EPECIQN |OMON. and in the field TTPQ.|F. NE|QK. Artemis Ephesia and, to her left, Asclepius, both from the front. M. 8S. — Plate VII No. 12. See Mionnet Suppl. V 475, 1171. Pitane, 186. Br. 17 — F. KAILZAPA TTITANAIOI. Head of Gaius Caesar to the right; in front of him, Pentalpha. R.A. KAIZAPA. Head of Lucius Caesar; in front of him, head of Zeus Ammon from the front. M.8. See Mionnet II 627, 721. Priapus. 187. Br. 11 — Female head to the right. R MPI below. lobster left-handed; Caduceus stick attached above it. Gr. 0.86 M. 8. — Imhoof and basement, animal and Plant pictures Plate VIII, 8. 188. Br. 10 - Head of Aphrodite to the right. EB TTPIA itiber a pigeon to the right. Gr. 1.01 M. S. — Plate VII No. 13. 189. Br. 16 - Head of Apollo with laurel to the right. BR TIPIA| TTHNOWN. Bull charging to the left. Size: 3150" M. “8; Stratoniceia-Hadrianopolis. S. down near Lydia. Teuthrania, Since I went to Monn. gr. 8. 258, 149 by the announcement of a Teuthrania copper mint was introduced into numismatics and ended up in the Lébbeckesche Collect a silver coin with the same types: 190. P. 11 - Head of Apollo with Tinie on the left.*) R TEY behind a youthful head in Persian miter right. Gr. 1.60. — Plate VII No. 14. 1) Also on the copper coin the head is not decorated with laurel, but with the tinie decorates.

96 (620) The only known and contemporary silver coin the Teuthrant city Gambreion has approximately the same weight, size. 1.68. Humann and Conze determined the location of the city, on the Ehasberge at Kalerga, in the lower Kaikos Valley between Pergamon and Pitane.*) TROAS. Abydos. 191. Br. 20 — Head of Artemis with wall crown, earring and robe, from front. BR ABY on the right. Naked figure with female hairstyle, sitting on the left, raising her right hand over a herald's staff placed in front of her. Gr. 7.17 M. S. — Plate VII No. 18. Mus. Hunter plate I 12. The types are stamped with small stamps on a copy of the coin, which Mionnet described in T. II 634, 34 has: Artemis head with wall crown to the right, B Eagle on lightning, with head turned back, to the right, between ABY on the left and grapes over Kantharos on the right. 192. Br. 22 - Similar bust of Artemis; above the shoulders is the body Wall held together with a clasp. BABY over one to the right standing hind, who turn their heads back and turns away to lick or scratch himself. The whole thing from one Surrounded by wreaths. Gr. 7.50 M. S. — Plate VII No. 17. Imhoof and basement, animal and Plant pictures, plate II 40. Another example of this coin is located in Naples, but is in the cat. Santangelo No. 11294 described inaccurately. 193. Br. 15 — Similar bust with three towers, from the front. RB ABY left. Eagle flapping its wings, to the right. Gr. 2.10 m. 8. That the head type represents Artemis, the one decorated with the tower crown also on coins of the Taurian Chersonese and of Lysimachia, Priapus and Isindos occurs, prove the Abydenian Geprige, where the picture Kocher and bow are included: 1) Conze, Teuthrania, in the Middle Ages. of the Arch. Inst. Athens XII 1887 pp. 149-160; Thraemer, Pergamos 1888 pp. 410-412.

(621) 97 194. Br. 24 - Bust of Artemis with wall crown and robe, from front; over the 1st shoulder bow and quiver. R ABY above a deer standing to the right; before him, Aehre. This Whole surrounded by a laurel wreath. Gr. GHoeniwo: Paris. Mionnet II 634, 31. 195. Br. 22 — Likewise; the wall crown with five spires. Gr. 9.05 in stores. 196. Br. 21 — Similar No. 194; with a deer head as a bow decoration, on the Rs. indefinite symbol. Gr. 6.68M. 8S. — Plate VII No. 16. Older copper coins show the head of Artemis, as a type or epithet, with Laurel and Stephanos: 197. Br. 23 — Head of Artemis from front, a little to the right inclined; he is with Laurel wreath and one with palmettes decorated stephanos, earrings and collar decorated. Rk ABY in front of an eagle standing to the right with unfolded wings; in the field right @ and acrostolion. Berlin, Vienna. See Mionnet II 635, 43 (Miinchen, poorly preserved) and Suppl. V 501, 34. 198. Br. 14 — Similar head, without palmettes on the Stephanos. K ABY left. Eagle standing to the right, head turned back; in front of him ear. Size: 1.50 sts. 8. — Plate VII No. 15. Kinen similar type as the back from No. 180 shows the following Mint: 199. Br. 15 — Lyra. kK ABY right. Naked figure sitting on a rock facing left, right side up the knee, the left hand on the seat. In front of her, an eagle standing to the left. In trade. — Plate VII No. 19. The eagle faces away from the figure and is perhaps like the caduceus on No. 191 mere symbol; otherwise one would have thought of a representation of the Gany can think without thinking. 200. Br. 20 — AV[T. KAIC]AP TPAIANOC. Head of the Emperor with laurel to the right. kB Cult image of Artemis from front on a base, both forearms Y A_ stretched to the side; in the left an attribute. To the right of that Picture, front part of a deer standing to the right. Raw factory. M. 8. — Plate VII No. 20. Vel. Sestini, Latvia. num. VI50. Dep. d. I. Cl. d.k. Ak. d. Know. XVIII. Vol. III. Abth. (82) 13

98 | (622) 201. Br. 18 — ®AYCTIN.| CEBA. Bust of the younger Faustina on the right. R A|B/Y. The Dioscuri naked, facing each other, each in the holding a spear in one hand and a torch in the other. M. S. — Plate VII No. 21. 202. Br. 18 — AV. K. M. AV.|ANTQNEL. Bust portrait of the youthful Caracalla with laurel and robe to the right. B AB|VA| HN. The Dioscuri as above, but in tunic and more pointed Mitze. M. S. See Ramus, Mus. reg. Dan. I] 221, 2 plate V 6, where the Dioscuri like on no. 201 are shown. What seems new is the following coinage, which probably refers to a founding legend. picture to be: 203. Br. 35 — A, K. A. AVPH. KO|MOAOC [CEB.] Bust portrait of the youth Emperor with laurel and robe to the right. BR EM! APX. AIA. LQIA. AC[icezov?] To B. and in the section, ABVAHN [QN]. Youthful Hero (Abydos), naked, with spear and robe in the Left, standing to the left and placing the right on the prora of a ship, from the he seems to have landed. There is one in front of him under a tree cow standing to the left, which her calf sucks and twitches his head back to him Turns to Heros. M.S. 204: Bross" 0 os: | MAZIM.... Bust portrait of Maximinus with tank and Robe to the right. RB ABVAHNQN in section. Same picture. Paris, among the indeterminate. Lebbecke. Alexandria Troas. 205. Br. 20 - Head of Apollo with laurel on the left. Pkr. RB AAEZAN | APEQN and in the AHMH section. Apollo Smintheus right- standing there. Gr. 4.42M. 5S. . 206. Br. 21 — Similar head on the left in a laurel wreath. RB AA[E=.] right, ZQIAOL[LZ] left next to a tripod. ; Counterstamp of the reverse: Apollo's head to the right, mouse to the right. Lébbecke Collection. As far as I know, these are the first known copper mints in the city magistrate names; they seem the middle of the 1st century to belong to BC, after the minting of similar silver was stopped.

(623) 99 207. Br. 10 — Lyra. R Tribrach between Gr... DF2aM eat 208. Br. 6 - Young person's head to the right. R ge in the field. Gyr.) 0.35» M. 8: Among the types of Apollo Smintheus found in Overbeck, Greek. art mythology, Apollo Mztaf. V 25-36 shown find, are the two last Numbers remain unmentioned in the text pp. 91-95. Since the scene depicted still has never been properly described, I would like to draw your attention to it again here do. 209. Br. 22 — CO.!ALEX. TRO. Female bust with mural crown to the right; behind the shoulder vexillum with the inscription CO. | AV. i CO./AV.|TROAG (see above) Statue of Apollo Smintheus with bowl and Bow in the forward hinds, standing on a hill to the right. The Hill is undermined, and in the grotto lies, in something slate Position, another statue of the god, completely identical to the standing one.1) In front To the left of the hill stands a shepherd in a short chiton, coat and Boots, raising the right hand, holding the shepherd's crook in the left. Behind him, a horse with a bridle running away to the right, turning its head back. M. 8S. Vel. Mus. Pembroke IIL Pl. 81, 11; Sestini, Latvia. num. VI 50, 1 and Mionnet II 6438, 99, where the hill statue is called the Sibyl Herophile and the horse as a ram are explained; Sestini, Descr. num. vet. 300, 18 and Mionnet Suppl. V 513, 97, where for shepherd and horse, Silenus and wild bull. 210. Br. 24 — CRISPINA|AVGVSTA. Bust of Crispina on the right. E&COL. AVG, T|ROAD. Same representation. : Vienna. — Pictured at Overbeck a. a. O. V 35. Mus. Borgia (Propag. Fide in Rome). Sestini Descr. 301, 26 plate VII 12 and Mionnet Il 647, 12, supposedly with an adoring shepherd and Aries. Copenhagen. Ramus, Mus. reg. Dan. I 222, 20 and Mionnet Suppl. V 521, 152, with ram. Choiseul-Gouffier, Voy. II plate 67, 13. Mus. Naples No. 7955, supposedly with Silenus and Taurus. 1) On the well-preserved specimens, the attributes bowl and bow are in the pre- stretched dogs clearly visible. 13*

100 (624) 211. Br. 25 — M. AV. ON | TONINVS. Bust of the native Caracalla with laurel beer and tank to the right. BRCO) AV.| TROAD. Same representation. Brit. Mus. — Pictured at Overbeck a. a. O. V 36. See Haym-Khell, Thes. Brit. II 328, 18 Plate 40, 8; Sestini, Deser. 301, 27 and Mionnet Suppl. V 522,161 with supposedly Silenus and a wild bull. 212. Br. 25 — Similar, with COL.| AVG. and in the TROA section; the Apollon The statue stands on a stele and the horse is missing its bridle. Paris. — Plate VII No. 22. From those in the quotes to the above descriptions indicated J. de Witte's earlier explanations of the figures differ in that he suspects Paris or Anchises in the shepherd, who comes forward with a pleading gesture Apollo stands on the mountain, and that he also forms the animal for a goat.') The figure with the pedum is apparently identical to the shepherd, who appears on numerous rich other coins of the colony standing next to his grazing horse, mostly above his head looking down at the ground. At times is the group of one tree shaded.*) On the coins no. 209-212 the scene is different. While the horse runs away in fright, The shepherd's gesture expresses surprise and Astonishment,') which was probably due to the unexpected appearance of Apollo caused are. You knew here think of the legend that was told in the scholia Homer, I]. A 39 is recorded by Polemon, and according to which Apollon, after he as a shepherd in the fields of the Krinis from the rats freed, to accept this as God know there. But Krinis was Apollo's priest and not a shepherd. The declaration © The scene had to be different for the time when the coins were minted This phenomenon, which has so far remained completely unnoticed and which we are under faces the hill, namely from the buried, buried or in a Grotto hidden cult image of Apollo Smintheus, over which a new one arises judged or the old one is resurrected. A different coin image the colony, so far as a representation of Silenus between two nymphs and a satyr, or. between two satyrs and a nymph, or of a satyr who presents a naked nymph to Pan, W. Drexler explained in of the magazine fir Num. XIV 8p. 233 and XV p. 84 ff. on the drunken Heracles interpreted with a Bacchic entourage. A very understandable illustration of the type Already had Choiseul-Gouffier in Voy. pitt. IL plate 67, 9 given, then one more 1) Revue number. 1858 pp. 42 and 46. 2) Mionnet II 645, 112; 647, 123; Suppl. V 517, 129-131; 524, 171-174; 534, 251 and 252; 542, 804; 545, 333. 3) On this plate VIII No. 22 pictured coin no. 212 alone is the expression of Shepherds are a little different and more doubtful than astonished.

(625) 101 better Sabatier in the revue number. Belge 1865 plate XVII 16, on which Drexler could be justified. It can now only be a question of whether the central figure represents Heracles or Silenus, as neither for one nor for the other characteristic features are present. Whether the figure is swaying or not, prevents us from recognizing its position forward. The limbs are not thicker and not slimmer than in many of the depictions of Marsyas. After the head with the snub nose on No. To close 213, you would like to choose Silen, according to the apparently full hairy heads of other pieces for Heracles. From everyone Here is an example: 213. Br. 26 — [IM. SE.] ALE | XANDER AVG. Bust of the emperor with laurel and tank to the left, on |. Arm holding a shield with Gorgoneion in the right the spear. ds OO ok AV |G. TROAH. drunk Silenus or Heracles, from one born satyr supported, to the right, backwards under the arms and to the side on the r. Hand held by a second youthful satyr; the left He placed it on the shoulder of Pan, who was standing in front of him to the left the left hand holds the Nebris and the shepherd's crook. Paris. — Plate VII No. 23. See Mionnet II 649, 189 and 140. 214. Br. 22 — IMP. LIC. VALERIANVS AVG. Bust portrait of the emperor with laurel beer and robe to the right. R COL. A|VG.|TROA. Same representation. M. S. — Plate VII No. 24. See Mionnet II 652, 158 and Suppl. V 548, 316. 215. Br. 22 — Same as No. 209. K COL.|AVG.|TROA. Apollo to the left on one flying to the right Sitting with a griffin, his right hand crossed over his head, which is turned forward, and holding the lyre with his left hand. M.8. The mint is from the time of Trebonianus Gallus, as the back is the same Stamps, like those at Overbeck a. a. O. V 13 (pp. 304, 105) depicted with the Portraits of this emperor. With the same portrait there is also a depiction of bound, the interpretation of which I don't know how to give at the moment: 216. Br. 22 — IMP. VIB. TREB. GALLVS AVG. Head of the Emperor with Lore beer and robe to the right. i COL. | AVG.| TROAD. Tripod between two each other facing seated figures, both unbiased, with a bare upper body and one hand leaning on the seat; the one sitting to the left appears to have a flash or Arrow bundle in the right hand and look at the feet of others one the front part of a tracking dog. In the background, between

102 . (626) the two figures, the shepherd with the pedum in his right right- there. At the top right of the field is an indistinct object, similar to a legal flying Eros. M. S. — Plate VII No. 25. Mus. Hunter, from the same stamp; behind the figure on the right still shines an arch to stand. 217. Br. 22 — Likewise, but the dog stands behind the figure sitting to the right, the shepherd stands from the front, and the figure on the right appears to be holding it in his left arm to hold bow. The field is empty. Paris. — Plate VII No. 26. The attributes of the figure to the right of the tripod seem to point to Apollo to interpret. Dardanus. 218. Br. 17 — AA|PAA. Eagle to the left on a palm branch, with ticked back head turned, flapping its wings and holding a wreath in its beak. R AAPSA|NIQN. Herm. Gr. 2.26 M. S. — Plate VIII No. 1. 219. Br. 16 — Rider with petasos and flying cloak, galloping to the left. Pkr. R AAP right. Eagle standing on a staff to the left. Gr. 2.82 M.S. 220. Br. 14 — Rider with flying coat galloping to the right, in the right swinging the spear. R AAPAA|NEWN. Athena Ilias standing to the right. Gti M.S: 221. Br. 30 — AV. KAI. M. AVP.;ANTQNINOC. — Bust portrait of the young person Caracalla with laurel and robe to the right. i DAP| AANIQON. Caracalla on horseback, walking to the right; in the right He holds the palladion and the spear in his left hand. M. 8. — Plate VIII No. 2. Also the rider of the mint with M. Aurelius, which Fox Il 46 depicted, seems to be holding the idol on the right. llion. 222. Br. 13 - Head of Augustus to the right. Circle line. Ki Al left. Athena Ihas to the right; in front of her. M.8.

(627) 103 223. Br. 16 - Head of Augustus to the left. Pkr. BK IAL before and AHMHT. under Athena's head to the left. M.S. See Sestini, Lett. num. cont. VIII 43.18 with supposedly AHMOC. 224. Br. 34 - inscription unclear. Bust of M. Aurelius, male, with laurel and robe to the right. BK IAIEQN in section. Temple front with six cannelied columns; in Gable decorated with acroteria, a shield between two Nike figures; between the columns, in the middle, statue of Athena Ilias from the front on a basis. M. S. — Plate VIII No. 3. 225. Br. 31 — AV. KAI. M. AVP. | ANTQNINOC. Bust portrait of the bearded Cara calla with laurel and robe to the right. R ECTOPIC| IAIEQN. Hektor armed, striding to the right, with the he- Raised right hand, hurling the torch at two manned ships. M.S. — Plate VIII No. 4. See Waddington, Rev. num. 1852 plate IV 9, supposedly with Hlagabalus. Lamponeia, To the drachma and hemidrachm in the Monn. gr. p. 263 comes another Obolos: 226. P. 8 - Head of the born Dionysus to the right. EA | A | M,. Bull head from the front. Recessed square. Gr. 0.55 (average received) M.S. About the location of the city see J. Thacher Clarke in the Amer. Journal of Archaeo logy IV 1888 pp. 315-317, where my opinion in favor of the proposed addition division of the above coins, a particularly highlighted circumstance, that the bull's head too the mint image of the neighboring Assos is considered to have been ignored by me and re-appraised. is conducted. Skepticism. 227. P. 10 — Like Monn. large p. 265 no. 183, but half the weight (size 0.40). 228. P. 11— ©|K/H/| YI. Pegasus flying to the right. Pkr. & line square around a bead square, in it WV to the left of a ferry or palm tree. Recessed square. Gr. 0.95 M. S. — Plate VIII No. 5. Cf. Imhoof and basement, animal and Plant pictures, plates XII, 138 and 14.

104 (628) This coin, that undoubtedly to group no. 184-186 the Mon. gr. belongs, is therefore of particular interest because his main type is the Pegasos is, while the numerous skeptical silver and copper coins remain constant until now just the front part of a winged horse showed that it is generally known for a hippo kampen also held while it, judging by our mint, did the Pegasus represents. For an inland mountain town, this type is less common. strange, as the seahorse; but the horn, which is usually between the wings appears, is therefore no clearer to us.') 229. Br. 17 - =KH under the front part of Pegasus with horn, to the left. R Föhre or palm tree in a square frame; above it bull's head from in front, on the right a deer head on the right and on the left a thyrsos staff with tania. Gr. 4.30 M.S. 230. Br. 21 - Birtiger Head of Dionysus from front; he is horned and with Decorated with ivy and a calathos. KR X&/KH. Eagle with unfolded wings to the right. The whole thing from one Hichen wreath surrounded. Gr. 5.50 M. S. — Plate VIII No. 6. Another example of this coin has Prokesch-Osten in the Archiolus. Newspaper 1844 p. 339 plate XXi 13 incorrectly described as a Demeter head with a poppy wreath and have it depicted. The Dionysoscopes are here clearly two short bull's horns - comprehensible, and a closer examination of the native busts of the same god that appear on appear in the profile of the later expressions of skepticism, results in, that These are also characterized by the bull's horn next to the calathos. Since mine Do you know that the horned Dionysus type does not otherwise appear on coins?) and also is a rare occurrence on the other monuments, it may be desirable to see a few of the variants of this type of skepticism pictured. 231. Br. 20 — Same as Monn. gr. No. 198, with CKIVI. AAP. on the back. Brit. Mus. — Blackboard VIII No. 7. See Head, Num. Chron. 1873 pp. 124, 94. These coins seem to belong to the time of Sept. Severus, there a piece with the portrait of Geta and the same back (m. 8) in size, metal color and factory match those. 1) See Monn. gr. 8. 267, note 50. 2) On the didrachm from Thebai, the Miiller-Wieseler, Thinkm. II 378, after Pellerin given, the alleged horn is just the arbitrarily poorly drawn tip of an ivy tree blattes, which was already mentioned by Thraemer in Roscher's Lexicon 8p. 1150 guessed correctly.

(629) 105 232.” Br; 25 — AAPIANOC| KAICAP. Bust of the emperor with laurel to the right. BR CKH left YIW[N] right. Bust portrait of the native horned Dionysus on the left, with ivy and calathos on his head, clothed with one short-sleeved chiton, in the right hand a kantharos, and a fruit or Flower in the left. M.S. 233. Br. 31 — AV. CAL. M. AV. ANTQNO. Bust portrait of the young person M. Aurelius with robe to the right. K CKHYIQ|N AAP, Similar bust of Dionysus on the right. Paris. — Plate VIII No. 8. Mionnet II 669, 252. 234. Br. 31 — AY. K.M.AY. C. AA|€ZANAPOC. Bust portrait of the emperor Laurel and robe to the right. RK CKHYIQN AA |PAANIQN. Similar bust of Dionysus on the right. Paris. See Mionnet II 670, 259. In trade. After Mionnet Suppl. V 580, 508 (Cat. d’Ennery, 484) there is another bronze mtinze with the same type and the portrait of Caracalla, as the alleged Isisbiist is undoubtedly in turn a representation of the peculiar cult image of the Dionysus, which I can see in full figure on No. 235 to recognize believe. 230. Br. 39 — AV. K.M. AV. CEB. AAEZANAPOC.... Bust of the emperor with laurel and armor to the right. BR€TTI CTP. AY[P. APT ?]€| MQNOC ..CKH and in the YIQN section AAPSA | NIQN. Enthroned figure with Kalathos on the head, in long clothing with a belt around the body, and both forearms held sideways stretches, from front. In the right seems she a kantharos, in the A flower on the left or to hold fruit. On either side of the throne each a standing bull, its head turned backwards towards the deity. K. Library in Turin. — Plate VIII No. 9. At the first sight of the type of this so far only coin you could There may be doubts as to whether it represents a male or female deity. The head alone, too worn down, can no basis for a decision give. Against leads a closer look at the dress that covers the feet leaves the ankles uncovered and is also girded, leading to the safe assumption that that this is what this is about a god acts. After this realization you will then especially through the clothing and especially the headdress, the Kalathos even for further comparison of the seated figure with the Dionysus statue of the Mitinzen No. 2381 - 284, and since this also leads to the agreement of the attributes Dep. d. I. Cl. d. k. Ak. d. Know. XVIII. Vol. IT. Abth. (83) 14

106 (630) bute of the two hinds emerges,1) so there must be every doubt about identity of the deity in the various representations disappear. The enthroned God is also the bull Bakchos. Whether this is because of the condition of the copy Horns on his head are just no longer recognizable, or whether he is really missing them, "For example, because Culthilde is given two bulls at his side," I can for the time being Of course not to decide. The coin no. 235 is so far the only one of skepticism whose inscription has one Magistrate names exist. i 236. Br. 22 — CK|H. Female figure standing to the left, ears of grain in her right and holding a fitillhorn in his left hand. Pkr. BR Nike striding to the left, in the right a wreath with Tanien, in the Holding a palm branch on the left. Gr. 5.04 M.S. The figure on the front appears to represent Euthenia or Eubosia.'*) 237. Br. 20 — AVTKPA[TO. NEP. T]PAI. Head of Trajan with laurel to the right. B CKH below. Front part of Pegasus flying to the right, with the horn between the wings. — Raw factory. M.8. 238. Br. 15 — Same as No. 200 the mon. gr., with AVTKPATO. NEP. TPA. M.8. 74:5 A 2) a | ANTWONEL|...--- The heads of M. facing each other. Aurelius on the right and L. Verus on the left, both with laurel. i CKH|YI|WN. Rider galloping to the right, with his right hand raised Wielding a spear. M.S$. A corrected description of the Mionnet II 670, 257 and Suppl. V 580, 506 listed large bronze with the three Géttines and Eros on Ida I have in the year of the Arch. Institute 1888 p. 291 plate IX 20 given. 1) Part of the Kantharos on No. 235 is, like the letters above it, the Inscription and other parts of the coin only weakly expressed or damaged by blows. 2) To the deities between two bulls, which I have in the monn. size 8. 437, 121 on- counted, there are also Helios on a coin from Thyateira with Sev. Alexander, Apollon one from Tarsos (Mionnet III 627, 435 and Lajard, Culte de Vénus plate V 1). Compare also Baal from Heliopolis, Gaz. arch. II 1876 p. 78 plate XXI and Studniczka, pictures from Carnuntum, Vienna 1884 pp. 3 and 4. 3) See Monn. gr. 8. 401, 110.

(631) 107 AIOLIS. Aigai. 240. Br. 14 - Head of Zeus with laurel to the right. BR AIPFAEQN left. Apollo, with a forelock and low-hanging curls, Standing to the right in a long chiton, one down to the ground in the right hand Tinie hanging down, holding a branch in her left hand. In the field on the left A\ , right BX. Gr. 2.10 M.S. Pictured at Overbeck a. a. O. Mataf. III 49. 241. Br. 21 — AIFAEQN under the head of Augustus to the right. BR AIDIAOC PAITA|AFQNOOETAC. The same type on the right. M.S. The inscription on this coin complements the one in Monn. gr. 8. 270, 211. @aita, clearly on both coins, appears to be an unknown form of the name. autocane, To the coins of this city, which are in the Monn. gr. 8. 271 and the magazine. for Numbers XI 8. 50 and 51 have been published, there is another new one: 242. Br. 13 — Head of Zeus with laurel from the front. KR Head of Athena (very small) to the right in a wreath; including AYT. Gr. 1.72 MOS: Regarding the location of the city, see Schuchhardt in the Sitz.-Ber. the K. Prussian Academy 1887 8. 1209 and 1210. Boione. No. 216 the Mon. size 8. 271 shows BOIQNI| on better examples TIKON instead of BOIQNIQN, and No. 217 has BOIQNIT!| NO4- | Kyme. To Monn. gr. p. 272. and numbered magazine. XVI p. 266: 243. P. 7 — K|Y. Front part of a jumping horse to the right. E rosette with eight leaves. Gr. 0.37M. 8S. — Plate VIII No. 10. 14*

108 (632) 944. P. 8 — Likewise, without writing. Gr. 0.32 M. S. — Plate VIII No. 11. , 0.30 Brit. Museum. Brandis 8. 458 and Head, Hist. num. 8. 499 at Erythrai. 945. P. 7 — Similar; the rosette has six leaves and INPIOY is written between them, Gr. 0.30 M. S. — Plate VIII No. 12. Elaiah, In the mint image no. 236 the Mon. gr. 8. 274 I had the representation of a local myth that can no longer be found. Since then, Ms. Marx The pretty type is very attractively related to the eye legend: Eye emerges from it Box in which she was abandoned and driven into the mouth of the Kaikos.') 246. Br. 20 — AYT. NEP. TPAIANOC|KAICAP CEB. [. head of Kaiser with laurel to the right. R AHMH|TPOC. Poppy head between two ears. Paris. — Plate VIII No. 13. Mionnet Suppl. VI 29, 197. Although without a location, this coin belongs to No. 232-234 Monn. gr., safely to Elaiah. The name of Demeter is inscribed on the symbols of Demeter Last in the genitive, Jjunteoc. Unusual prominent are the named ones Attributes in the following representation of the goddess: 24%. Br. 20 — AV. KAI. | KOMMOAO|C. Bust of the emperor, bearded, with laurel beer and robe, to the right. as EAAIT | Q | N Demeter with veil standing to the left, her right hand on the Scepter supported, in the 1st arm two long ears with a poppy head in between. M. S. —- Plate VIII No. 14. Myrina, 248. Br. 25 — AV. CALI. AV | PHAIOC OYHPOC. Head of M. Aurelius with Laurel to the right. BR €TTI M. OVA. APICTO®A[NOVC M]VPINAIQN. Apollo Gryneus, with long locks of hair and exposed r, shoulder, standing forward and head turned to the left; in the right he holds a bowl over Flaming thymiaterion, in the left a branch. M. 8S. — Plate VIII No. 15. 1) Mid. of the Arch. Inst. Athens 1885 p. 21 26.

(633) 109 249. Br. 30 — ANNIA/®AVETEINA. Bust portrait the wife of Elagabalus to the right. B€TT. CTP. AYP. ATTIOAAQNIOV TO B, and in the field MVPEl| NAIQN. Young Dionysus with a naked upper body, standing to the left, in the Right the Kantharos about a panther holding to his feet, in on the left the Thyrsos. Behind the god, stele. M.S. In a reduced image in Butkowski's , Petit Mionnet* title page. LESBOS. Antissa, 250. Br. 17 - Young head with Tanie, right. A|N Head of Dionysus with a pointed beard and a wide band, facing right; R ; T|!2° in front of him, Lyra. Gr. 3,388 m. 8. In the mon. gr. p. 276, no. 244 and note 67 described I the picture of the Rs. as the head of Hermes, because at that time I only knew of symbols that were used as symbols of this God could apply. Now to the latter come Stern, Lyra and lightning!), so that there is no connection between the symbols and the head, and this is most likely to be interpreted as Dionysus.) Methymna. 251. Pot. 10 — MA over two boar heads facing each other. & Fourfold divided recessed square. Gr. 140 M. S. — Plate VIII No. 16. 252. Pot. 10 — Likewise, with amphora in the recessed square. Gr. 1.40 J.P. Six. — Plate VIII No. 17. The boar is the type of the oldest coins of Methymna, and therefore is probably that the stamps with boar heads of this city, those with veal képfen Mytilene belong. The vessel has the same shape as that of the coins of the Aeolian Larisa. Later figures from Methymna have the Kantharos. 1) Love, Goth. num. p. 162; Gardner, Types p. 79 plate XV 12. 2) See Ms. Back, Jahrb. ftir class. Philol. 1887 p. 442.

110 (634) Mytilene. 253. Br. 24 — AOMITIA | CEBACTA. Bust of Domitia on the right. M|Y The city goddess with tower crown to the right standing, with the T | Right her robe grasping, on the left the herm des “A€|N’ holding bearded Dionysus. N\A M. 8. — Plate VIII No. 18. Berlin. On which there are Berlin copies, otherwise less beautiful than the one pictured here to clearly read the letters A€ and N on the left and A on the right following AAYTI; The letter on the right under |, which looks like V on my piece, is there like VV. Since A€NNA is neither a word nor a name, there is probably nothing else otherwise as MYTIAENNA to read and this style of writing as a barbarism des Stamp cutter, who, as the inscriptions on both sides testify, in the In any case, he had little knowledge of writing. IONIA. Klazomenai, Where the variety of an otherwise well-known coin is only available in a new magistrate names, I refer for the types, here and in some of the following towns, to the descriptions in the Monnaies grecques. 254. P. 12 — Like Monn. gr. No. 7, with KA|A and [OE]YAAMAZ. Gr. 2.—Six. 255. Br. 11 — Same as No. 10, with APXIAZ and Astragalos. Gr. 1.35 m. &. Also the symbol of No. 10 is undoubtedly an astragalus, and not a Basket or altar. 256. Br. 12 — Same as No. 14, with ATOAAQN | 10€. Gr. 1.35M. 8. | 25%. Br. 13 — Same as No. 16, with AMANAPQNAE. Gr. 1.50 M.S. 258. Br. 18 — Same as No. 20, with [THJAE®ANHZ, without city name nor symbol. Gr. 4.— M. 8. 259. Br. 12 — Same as No. 21, with [TIMHZIANAE. Size 1:87 M. §:

(635) 111 259a. Br. 12 — Likewise, with AAIKKAAO€, Gr. 1.87 Mos. 259b. Br. 18 - Head of Bi-like Heracles to the left. Pkr. & KAAZO| MENIQN. Image of Cybele with Kalathos and veil from the front. Gr. 3.45°M.:S. Plate XII Nov.27: 259c. Br. 16 - Front part of a boar to the right. Pkr. KR AH|MHT|POC. Front of the Temple of Demeter with four columns. Gr. 4.55 M.S. 260. Br. 19 — AV. K.M. AVP. KOMOAOC. Head of Commodus with weak Beard and laurel to the right. RT. ATI. AOMEC.|CTP. KAA. Asclepius from the front, his head to the left turned, the right hand on the serpent staff. M.8. 261. Br. 28 — IOYAIA| CEBACTH. Bust of Julia Domna on the right. BR ETT. CTP. ATTEAA|A KAAZOMENI. Athena standing to the left, Nike holding on the right, the left on the shield and spear. M.8. Probably is also on the coins with Caracalla's portrait, Mionnet III 73, 96 and 99 ATTEAAA, and not ATTOAAQ. 262. Br. 35 — AVT. K. M. A. ANT QNEINOC|CEB.| AVT. K.TTO. CE€TT. FETAC|CEB. The busts of Caracalla facing each other on the right and the Geta on the left, both bearded, with laurel and robes. ke GTP. PIAQNOC| -AAM- TO -KAAX | OM and in the field EN | | | QN. Bearded Poseidon, naked, sitting left on rock, right foot on supporting a ship's prora, and in the right a dolphin, in the left holding the trident. M. 8. — Plate XIII No. 18. 263. Br. 27 — AV. TT. Al. OVAAEPIANOC. Bust of the emperor with laurel and robe to the right. RBCT. AV. AIONY|ClIOY KAANO and in the field MEN |IQN. Naked one Warrior, helmeted, walking to the left and turning his head back; in the Right He holds a spear and a sword in his raised left hand; on l. Arm round shield. M. 8. — Plate VIII No. 19. In the warrior is perhaps Strabo's 633 Paralos, by Pausanias VII 3, 8 leaders of the Jonians called Parphoros, who founded Klazomenai, to see. Ktwory¢ is on coins the Klazomenians also called the Emperor Augustus, who seems to have rebuilt the city, which had been badly devastated by the pirates.

112 (636) One of these coins also shows a warrior as a picture of the Rs., but in a calm manner position, and wearing a breastplate and a short filtered chiton. Méglicher wisely, this figure also refers to one of the two founders. 263a. Br. 26 — Vs. same stamp as No. 263. RBCT. AV. AION|VCIOV KAANOME and in the NIQN section. Rider walking to the right. M.8. Colophon.') 264. P. 16 — Same as No. 26 the Mon. gr., with TLHNOAOT. Gr. 3.26 (average increase) In trade. 264a. P. 16 — Head of Apollo with untied hair and laurel to the right. B KOAO under, AIOAQPOSE left and MYTAAOE to the right of one Lyre with six strings. Gr. 2.95. In trade. 265. P. 10 — Same as No. 32 the Mon. gr., with [N]YOOAQPOZ. Gr. 0.99. In trade. 266. Br. 14 - Head of Apollo with long hair and laurel wreath to the right. BR KO, under and EKATAIOZ behind the front part of a jump to the right- the horse with a girth. Gr. 2.20M. 8S. 267. Br. 15 — Likewise, with Ko. AloNYZIOAQPor. Gr. 2.05 M.S. 268. Br. 15 — Likewise, with KOA, below and TQKPATHE behind. Gr. 2.20 M.S. 269. Br. 12 — Likewise, with KOA, above, AIXAZ below. Gr. 1.25 sts. 8. 270. Br. 13 — Similar head to the right, different style. B KoA. about and THAEFONo under a horse walking to the right. Gr. 1.58M. 8. 271. Br. 19 — Same as No. 36, with AMEMP'TOZ. Size B38 Oh BS: 272. Br. 27 — CAAQN. XPVCOTONH CEB. Bust of Salonina to the right, with the crescent moon on his shoulders. 1) About the situation of Colophon see Schuchhardt, communication. of the arch. Inst. Athens XI pp. 8398-434.

(637) 113 B.6TTcP. (2). Thee Al: KAAAI | NEIKOY KOAO®| QNIQN. Apollo with enthroned to the left with a naked upper body, a branch in his lowered right hand holding the lyre in his left arm. M. 8. — Rev. shown in Overbeck, Apollon Mztaf. IV23. The official title here really seems to be [P in monogram, instead of the usual common CTP. to stand. Ephesus. On Head's 'Coinage of Ephesus' 1880 and his 'Addenda' 1881, A. J. Lawson in the Num. Chronicle 1882 8. 351, A. Lébbecke in the Zeitschr. for Number XII 1884 8. 316, the Monn. gr. p. 285 and Warwick Wroth in the Num. Chronicle 1889 P. 259 new contributors delivered. Here are some more: 273. 8S. 11—E| ®. Bee. ~ BR MANTIC PATH on the wider of the two raised bars that are crosswise cutting through a recessed square in four small (squares share. Gr. 1.62 M. S. — See Head a. a. O. Per. III p. 24. 274. 8. 25 — E| ®. Bee with pointed wings. Pkr. BR EVAP. in large Font, right. Front part of someone looking backwards Fallow deer to the right; behind it palm tree. Gr. 15.12 M. S. — Ms. pictured in Imhoof and Keller, animal and Plant pictures, plate VII 20. This tetradrachm, the first that the bee with the one described old shows wing shape and at the same time, from the scripture to close, the oldest known piece of the genus, is in the IVth period at Head, before No. 2 and 3 of the table from: to be classified. 275. P. 15 — E| ®, Bee between two astragals. K MNHEAPXOE right. Front part of the one looking back fallow deer to the right; behind it palm tree. Gr. 3.60 M. S. — Plate XIII No. 20. This is the first drachma of this type to come to light. 275a. Br. 17 — E| m, bee. Large dotted circle. BR AANHEAPXoOE in front of a fallow deer lying to the left with ticked back turned head. Above the same Astragalus. Gr. 4.24. To Heads V. Period, like the drachma. 276. P. 20 — Head of Arsinoé with veil to the right. Dep. d. I. Cl. d. k. Ak. d. Know. XVIII. Vol. III. Abth. (84) 15

114 (638) RB BAoZQN | APE, between bow and cooker; in the field above Astra- galos, bee below. Gr. 5 M. S. — To Head's VII period. Biéowv was also the name of the father of the Ephesian philosopher Herakleitos. He also appears on a tetradrachm of the Vth period in Head's Addenda. 9"7 §. 19 - Bust of Artemis with Stephen and robe to the right; above the Shoulder bow and cooker. BRE | ® and left MoXEIAQNIoz. Front part of a recitshin legend and fallow deer looking back. In the field on the right bee. Gr. 6.37 M. S. — To Heads IX. period. This is the specimen on which Mr. Lawson a. a. O. mistakenly PoL=l- AQNIoz has read. With the identical headstamp, the piece is marked with EYPPo- Nlox (m. 8th size 6.38) embossed. 278. Br. 16 — Similar bust on the right. BE | @ and left MHTPoPANHE. The same type with a bee above it. Gr. 2.22M. 8. 279. Br. 12 — Bee in a laurel wreath. B KAAAIZT. right. Fallow deer standing to the right next to a palm tree. Gr. 120 sts. 8. To Heads X. Period. 279a. Br. 19 — E | q and bee in a laurel wreath. R TIOZIAQNA[=] in section. Fallow deer to the right of the palm tree and Palm branch standing. Gr. 3.92 M.S. 980. G. 22 - Bust of Artemis with Stephane, earring, collar, robe and cooker to the right. BREW: Statue the Artemis Ephesia of front; between her body and the Tanien on the left Fillhorn, on the right star with six rays. Gr. 8.50 sts. 8 p. — Plate VIII No. 20. To Heads XI. period. The Artemis Ephesia appears as a type for the first time in the Ephesians gold staters; As a symbol it appears on the oldest cistophore city in front. The latter shows only one of the hinds of the cult as a symbol. picture, to the joint of which the tinie with the tassel is attached (see plate VIII No. 21). 281. Br. 15 — APX|1 Deer standing to the right. Pkr. A\E|I. RB FPA.|EbE. Rooster to the right, with a palm branch across the left side. Gr. 2.30 m. 8. See Head a. a. O. P. 77, and Monn. gr. 285, 39a.

(639) 115 The inscription is without a doubt coytegetg Aeétog (or similar) yeauparerc "Egeciwy to read. The two titles can also be found on another Ephesian Coin, Mionnet III 92, 241, united. 282. Br. 16 - Head of Augustus to the right. R FPAM|MATEY®Z | APIZTEAZ | NIKQAA | OZ. To the right standing Deer between E | @_E. M.8. See Mionnet Suppl. VI 124, 307-309. 282a. Br. 15 - Head of Livia to the right. RB Likewise, with TPAM | MATEY | APIXTEAZ | MHTPOB|EIZ (0). Mo. \ 283. Br. 21 - Head of Augustus with laurel and Livia to the right. ik TPAMMAT | EYD MEMNQN | XAPIEZEENO[Z] and in the field Eb | E Deer standing to the right; about Kocher. M.8. 284. Br. 21 — Likewise with APXIEPEYE | ALKAAZ | TPY®QN | E@E and above Cooker. M.S. See Mionnet HI 92, 246 and 248 and Suppl. VI 125, 318. 285. Br. 16 - Head of Tiberius with laurel to the right. i E|®. TIM|AP|XOC in the field, EN AM.... right, APXIEPEDC (so for ae- yuegevc) left. Artemis Ephesia from the front. M.3; 286. Br. 20 — MEC[CAAINA CEB.) Bust of Messalina on the right. REN. ABIOAA|[AIXMOKAHEL] and in the field on the left E@E., on the right POMH Roma with tower crown and veil, standing to the right, the rights to that Scepter supported, carrying the statuette of Artemis Hphesia on the left. M.S. See Waddington, Fastes des prov. asiat. pp. 139, 5. Otherwise, use the name and title of this Aviola in the dative without pria position, and that one Aovioha written, to stand. According to another example of the coin in the To close the Berlin collection, the Proconsul's name is not followed here Title, but the name of -Aiyuoxdijc. 287. Br. 22 — Like Waddington a. a. O. P. 139, 2, but with bees under the Bust of the Roma on the right. M.8. Kin few representations, which is based on the founding legend of Hphesus I found it in the yearbook of the Arch. Institute 1888 pp. 294 and 295, eet EA 25 and 26 made known. Two new types show the following pieces: 288. Br. 34 — AVT. K.TTO. AIKIN. OVAAEPIANOC. Bust of Valerian with laurel and robe to the right. 153

116 (640) RB EPECIQN F.| NEOKOPQN. Winged figure in double chiton on the right rushing there, with the right hand, lifting the garment up to above the knee to speed up the walk, holding a torch in his outstretched left hand. Vienna. — Plate VIII No. 22. The figure appears to represent the Erinys, a type that has hitherto been made from coins not yet known. 289. Br. 26 — AV. K TTO. AIKN. BAAEPANOC (like this). Same Bust portrait to the right. B EXELIOQN A. A|CIAC. A ram standing to the left in front of a tower, from the upper part of which a tree spreads out to the right. M. 8S. — Plate VIII No. 23. The same image also appears on coins of the Ionian Magnesia,*) where the Tower appears tapered upwards, and thus resembles the pyre the Herakleotic Mint No. described here. 124 (Plate VI No. 4). True- Apparently a zvea is also to be thought of here, in front of which the ram appears as a fire- victim stands. Erythrai. 290. P. 12 — Like Monn. gr. No. 49, with EPY. FAAoKox and GE). if. Le Mae: The names in the Ionian dialect that are found on coins were given by F. Bechtel in 'The inscriptions of the Ionian dialect compiled in 1887, e.g. B. for Ephesus No. 151, Erythrai No. 209, Klazomenai No. 169, Miletus No. 102 (new is EQOZLEBH2), Priene No. 148, Teos No. 161, Chios No. 194, Samos No. 125, and no. 262. 290a. P. 11 — Same as No. 56, with Nd. Gr. 1.03 M.S. 291. P. 13 - Head of the youthful Dionysus with ivy to the right. BE | PY. bunch of grapes with leaf; on the right in the field E- Gr. 1.25 M. S. — Plate XIII No. 21. 291a. P. 14 — Head of the youthful Heracles with the lion skin to the right. Pkr. & EPY and underneath the monogram of No. 291, in a hichen wreath. Gr. 1.98 M.S. 292. Br. 24 — TITOC AOMITIANOC KAICAPEC. The each other facing The heads of the two Caesars are crowned with laurel. 1) Mionnet Suppl. VI 252, 1112; Engel, Revue Num. 1885 pp. 11, 9; Mus. Hunter (our Plate VIII No. 24); Berlin, with EN! AHMONEIKOV, all with Gordian's bust.

(641) A117 RK EPY | OPAIQN. Naked one native Heracles with closed ones legs standing on tiptoes, facing right; He holds the die in his raised right hand Club over the head, in the left a spear for throwing. M. 8. — Plate VIII No. 25. In the trade, with clear writing, but a less well-defined image. The type of this coin appears to be one of the best representations of Heracles to be an image, about which Pausanias VII 5, 5, as Egyptian images Similarly, reported. 293. Br. 17 — AVT. KAI. A.| AV. KOMOAOC, Bust portrait of young Com- mode with laurel and robe to the right. BEM A. Al. A|YCIMA. EPY. Two ears of corn between two poppy seeds kéfen. M.S. 294. Br. 17 — Vs. identical stamp. Ke €TTI A. Al. A|YCIMAXO, and in the EPY section. The Sibyl Hero Phile with veil sitting on a rock to the left, chin to the right. Hand, the left leaning on the seat. Munich. — Plate VIII No. 26. On Cousinéry's erroneous reading ABYA. Mionnet II had the coin in 636.49 assigned to Abydos. Likewise, Mionnet III 132, 535, according to false information, is cousin nérys, to correct: 2b. Britvic EPYO | PAION. Burning torch. FR EPVO|PAIQN. Herophiles as on No. 294. Munich. 3rd century yv. BC From No. 63 the Mon. gr., with OCA CIBYAAA I give an illustration here after the Berlin specimens on Plate VIII No. 27. No. 63a has no inscription on the obverse, but a wreath surrounds the figure. No. 63b and the remaining coins with the same type of Rs without a doubt also represents the Sibyl. 296. Br. 40 — A.K.M.AYP.| CE. AACZANAPOC. Bust portrait of the emperor Laurel and robe to the right. In the field there is a small head of Maximinus stamped to the right. Ib €Fie CG, ThCAL ATTAAO | V T. B. EPYOPAIQN. Demeter with Tower crown and a torch in each hand, on the left in one of two Snake-drawn wagon standing. M. 8S. — Plate XIII No. 19. See Mionnet III 185, 552. Demeter is designated as the city goddess by the tower crown, see Teos below No. 369-372.

118 (642) ailahis Br. 22 — A. K. TT. A. FAAAIHNOC, Bust of the emperor with laurel and robe to the right. B.C. AIA. AIOFE|NIANOV € and in the field PVO|PAIQ(y). Asclepius standing forward, head to the left, right on the snake staff. M.8. Due to the magistrate name of this coin, the minting time of the pieces is without Imperial portrait, in Mionnet III 132, 536 and 537. Lebedos. 297. P. 12 - Head of Athena facing left. BR MAPZXYA® on the left and AE and small ship prora on the right next to an owl to the right. ir.foes 298. P. 11 - Vs. also. B AE tiber and APOAAQNIoOL below a ship's prora, on which a Owl sits on the left. Gr. 1.— In trade. 299. P. 10 — Athena's head to the right. BR AoPKQN under a ship's prora to the left, on which a Hule sits. Gr. 0.86 in stores. Vel. Magazine for Number XII p. 318, where the Er- The addition of the name to [AAJOPKQN must be corrected. 300. Br. 16 — Head of Athena from the front, slightly inclined to the left; three bisques decorate the helmet. B AE to the right and AAKIMAXOZ to the left next to an owl to the right. ros .00. 2. 2. Six 301. Br. 31 — TT. CETTTIMIOC TETAC AVI. Bust of Geta with laurel, Armor and robe to the right. BR ETM CTP(TOAIA?)| €PACICTPATOY and in Fields AE | BE AI QN Standing Athena by in front, in double chiton, peplos and helmet with three biens; In her raised right hand she holds a javelin, in her left hand an indefinite attribute. In front of her feet there is a round shield with snakes on the edge. Berlin. — Plate VIII No. 28. The forward-facing Athenae are apparently related to this new type of Athena. heads of the autonomous copper mints.

(643) 119 Magnesia. 302. P. 20 — Same as No. 78 the Mon. gr., with TONYPIQN | ANTIO. and ear. Gr. like this, d2. 303. P. 20 — Likewise with APISTOAHM...| TO. Gr. 5.02 (low condition) In stores. 304. Br. 18 — Same as No. 83, with TIMoxz. Gr. 0.00. 305. Br. 17 — Same as No. 87, with AHMAT oPAZ | AHMoXAPIAoZ in section. The meander forms a semicircle above the zebu. Gr. 3.40. 306. Br. 18 — Likewise with KAAAIANA= | TPITEOY. Gr. 4.02 M.S. See Mionnet Suppl. VI 234, 1015 with supposedly Tahdeveé, 307. Br. 17 — Likewise, with AYKOMHAHZ | APIZTONI. Gr. 4.—M.S. See Mionnet III 144, 611. 308. Br. 17 — Same as No. 87, with AINHTo€. Gr. 3.96M. 8. 309. Br. 20 — TIBEPIOC | KAICAP. Head of the emperor with laurel to the right. BE MACNH | TQN. Female figure sitting to the right, her right hand on the Scepter supported, holding a branch in his left hand. M.S. See Mionnet III 147, 636, after Arigoni. The picture on the back is a copy of the figure of the rémi, usually called Livia. The emperor's gold coins, with the inscription PONTIF. MAXIM. 310. Br. 33 — [T. Al.| AAPIA.| ANT QNEINOC. Head of Antoninus Pius with Laurel to the right. RB MAPNHTQN ETT! | (FP. KA?) ETTITVNXA(vov). Female figure in chiton and peplos standing on the left, in the right an apple? holding, in the left an indefinite attribute. M.8. 311. Br. 32 — MAPKOC AVPHAIOC | BHPOC KAICAP. Bust portrait of the youth lichen M. Aurelius with robe to the right. RK PPAM. AIODAN[T | OC] MAPNHTQN. Artemis Leucophrys between two eagles to their feet, standing forward, the head of two Nike figurines crowned. M.S$. No. 91 of the Monnaies grecques, with Aphrodite Meleia on the reverse, shows on the obverse is not the head of M. Aurelius, but that of his son Com-

120 (644) mode. This emerges from the comparison with another specimen Loébbecke in the magazine. for Number XII 318, 1 plate XIII 6. Like this Mine also has the inscription AVT. M. AV. [COM. | ANTQN]INOC.*) 312. Br. 21 — TTOY. AO. CE|TTIT. FETAC. Head of the Geta with laurel | to the right. EB AKPAIOC left, MAPNHTOON right. Zeus Akraios naked forward standing, turning the head back to the right; the rights supports he on that Scepter, in his left he holds the lightning. M.S. This is obviously the case the same coin, the Mionnet III 152, 664 to Cousinéry with alleged Apollo AITAIOC. In the catalog Exereunetes 1871 No. In 311 Zeus Akraios appears on another but, it seems, badly preserved copper coin from Magnesia. Panofka attributed a coin to the Lydian Magnesia that belonged to the Joni city of this name belongs and its reading and description belongs to_report- term is: 313. Br. 30 — AVT. KAI. M. AVP. | ANT QNEINOC. Bust portrait of Caracalla with laurel and robe to the right. ETI PSU UAVP. We | VBOVAOV MADNH and in the TQIN field. Athena standing on the right, her right leaning on the spear, on her left Hand the owl. In front of her at her feet is a small giant with both arms holding aloft the shield of the goddess. Vienna. Mionnet Suppl. VII 381, 300. The interpretation of the type, earlier for a Polos-wearing Titan, Atlas, held, Overbeck”) and Max Mayer*) gave. That the coin in the was founded in the Ionian city the civil service title and the lack of employment drawing CITTYAOV. Hine other representations, also not correctly interpreted by Overbeck*) and Head§) The position of magnetic coins is the child held for Zeus between corybants. The young god is Dionysus, as in the most overlooked mystical Cista on the he sits, emerges convincingly. This depiction seems extremely rare and similar 1) On the reflections that Mr. Butkowski made on the occasion of these two pieces in his >Petit Mionnet” p. 196/97, it would be pointless to go into detail here. 2) Greek. Art myth. Zeus p. 389. 3) The giants and titans in ancient times. Legend and art 1887 p. 409. 4) A.a. O. 8. 387, 22 Mataf. V7. 5) Hist. num. 8. 502.

(645) 121 to only be known from a relief in the Vatican,1) and I will therefore leave a few Descriptions and illustrations of the same follow: 314. Br. 32 — AV. KAI M. AVP. ANTQNEINOC. Bust of Caracalla with Laurel and robe to the right. Bee | M. AVP. API | CTOMA[XOV] and in the section MATNHTON, The Dionysus Child with arms raised left on the mystical Cista sitting, and from two Korybants surrounded, those with theirs Hitting their shields with swords. M. 8. — Plate VIII No. 34. Vienna. Mionnet III 151, 660. Schottenstift in Vienna. Paris. Mionnet Suppl. VI 240, 1051 and 248, 1064; Overbeck a. a. O. V 7. 315. Br. 39 — Vs. likewise. The ert FS MerPAVP: VA| AOV €ETTIKPATOYC and in the MATNH section TQN. The Dionysus Child with arms raised forward on one Sitting on an armchair, under which the mystical Cista with the snake stands. Around the child are three Korybants. Paris. — Plate VIII No. 33. Mionnet I] 151, 661; Suppl. VI 242, 1056 and 1057, the latter after Sestini, who correctly recognized the type. The child comes in positions similar to those on these coins, and in the same ones Form the cista as a single representation: 316. Br. 20 — A. C€. CEYHPOC TT. Head of the emperor with laurel to the right. R MAC|NHTQN. The child of Dionysus with his arms raised forward sitting on the cista surrounded by a snake. Mus. Naples No. 8144. — Plate VIII No. 32. See Mionnet Suppl. VI 240, 1049 after Vaillant; 254, 1130 with Philip; III 156, 694 with Gordian. 317. Br. 20 — Similar, with MATN!HEIA and bust of the city goddess to the right on the Vs., in Munich and m. S. 318. Br. 19 — M. AVP. ANT|QNEINOC. head of Caracalla with laurel to the right. EK MAPN | HTQN. The same picture to the right. Mus. Turin. — Plate VIII No. 31. Munich, with AVT. K.M. AVP. A| NTQNEINO C. Vel. also Mionnet II 152, 663 and Suppl. VI 248, 1061 with Geta. 1) E. Gerhard's ancient images, plate CIV 1 and text 8p. 348; Miiller and Wieseler, thinking miler II No. 412. ; Dep. d. I. Cl. d. k. Ak. d. Know. XVIII. Vol. IIT. Abth. (85) 16

122 (646) 818a. Br. 17 — Likewise with AVT. K. FOPAIANOC and bust of the emperor with Laurel and armor to the right. : M.S. 319. Br. 16 — M.AYP. AA|EZANAPOC. Bust of the emperor with laurel and Grewand to the right. BR MA)/PNHTQN. Cista with lid, around which rises up a snake rings. M. 8. — Plate VIII No. 30. Mionnet Suppl. VI 246, 1079. 320. Br. 29 — AVT. K. M. AN|T. [FOPAINOC (see above). Bust of the emperor with Laurel and robe to the right. B MADNHTON ETT. P.|TTAMME|NOYC. Young Dionysus with Standing to the left with a naked upper body, the kantharos in the right and the Holding Thyrsos in his left hand; a panther at his feet. Behind that . God, a mainade in a double chiton, with head turned back, right- jumping and hitting the tympanum with his hinds raised. M.S. Vel. the mistaken one The group's view of Vaillant at Mionnet Suppl. VI 252, 1117. The statement about a piece from the Tiepolo collection, at Mionnet, is also incorrect a. a. O. 250, 1098, where it is said: 321. Br. 30 — F. IOVA. OVH.|MAZIMOC K,. Bust of Caesar with laurel and robe to the right. B&€TT. P.A.OVA. or OVA.|TTAYAOY MAPNHTQN. teenager Dionysus with naked upper body to the right standing, with kantharos and Thyrsos; in front of him a mainad dancing to the right, as on No. 320. M.8. Again, slightly different from this representation is the following: 322. Br. 31 — AV...M. AVP. ANTQNEINOC CEB. Bust portrait of Caracalla with laurel and robe to the right. & ETT CPAM.| CEKOVNAO|Y and in the section MATNHT[QN]. The- same group to the right, only Dionysus is completely naked and behind him himself a panther. Vienna. — Plate VIII No. 29. Miletus. The name on No. 97 the Mon. gr. reads OEYPPOMOSE. 323. P. 23 — Same as No. 99 with AHNAIo€. Gr. 14.95M. 8S. Pictured in the magazine. for Number XIV Plate VI 5 and in Overbeck's Apollon Mztaf. II 52.

(647) 123 333. 334. 309. 336. . 8. 14 — Same as No. 97 with EoLEBHE (for Evoépye). » S, --1.— Ebense. mat [A]PTEMQN, Gr. 1.66 in stores. . P. 12 — Likewise, with EYPoANIE. Gr. 1.75 in stores. . P. 12 — Likewise, with HPAToPA[=]. Gry 173: M.S. . 8. 12 — Likewise, with [OJEoAoTIA[HE]. Gr: (TAS. Mos: . 8. 18 — Likewise, with XAPIAAZ. Gr. 160 MS See Mionnet III 164, 735. . 8S. 20 — Same as No. 102, with ANTIAEQ(N]; star with eight rays. Gr. 6.15 In trade. . 8. 20 — Same as No. 105, with OEOKPINHZ, T and M. Gr. 4.90 M.S. 2nd Br. 18 — Like No. 106, with star tiber and AAAAPPOoMAXo€ under the Lowen. Gr. 4.06 M. §S. P. 18 — Head of Apollo with laurel to the right. R EVKAEIAHC in section. Liwe standing to the right, head backwards turning towards a star; in front of him M and Me. Gr. 4.64 M.S. P. 31 — Likewise, with AAoAoZZor, right M and S. Gr. 16.25 M. S. — Plate IX No. 1. P. 33 — Likewise, with MIAHZIQN MoAox Zo. Pe, without star. Gr. 16.10 L. de deer. P. 34 — Likewise, with a star; above MIAHZIQN, below ENIKPATHE and right KPATEPo:. Gr. 16.74 Coll. de Luynes. — Plate IX No. 2. These tetradrachms belong to the most spiteful Silver embellishments Miletus and undoubtedly date back to the 1st century BC. 337. 338. Br. 16 — C€ | BACTOC. Bust portrait Hadrian's with Laurel and Tank to the right. BR ETT | - Gia) =i | 1AH. Lion to the right, looking back for a star. M.S. Br. 85 — A.AYP. COM | OAOG KAICAP. Bust portrait of Caesar with weapons wall to the right. 16>

124 (648) B€TT! AIAL TTO|[AEITOV] and in section MIAHCIOQN. Naked one Apollo sitting on a rock to his left, his right hand over his back. turned head, left arm on the one surrounded by a snake ringed Omphalos leaning. He holds the bow in his left hand. M. 8S. Pictured in Overbecks Apollo, Mztaf. IV 47 (pp. 304, 92 and 308). | 339. Br. 18 — FOPAI |ANOC KA. Bust portrait of Caesar with his robe to the right. RMI | AHCIQN. Apollo Didymeus standing naked facing forward, with long Curls and rays around the head; he holds one on his right hand clamp deer, in the left the bow. Behind the god on the left tree. M.S. —.Plate IX No. 3. Phocaia. Illustrations of the two archaic silver coins with the seal, Monn. gr. No. 118 and 114, can be found in the animal and plant pictures* Plate IV 23 and 24 340. Br. 20 — AY. KAI. M.AY.| ANTQNO | O.C. Head of M. Aurelius with Laurel to the right. R €TTl ElAO | MENEQC and in the field | Q. Athena standing left, with Bowl in the right hand, the left resting on the shield, and spear on the arm. MS: 341. Br. 41 — AV. KAI. M. ANT. | FOPAIANOC. Bust portrait des Kaiser with Laurel and robe to the right. K€TT. CTP.|AVP. €| VTVXOVC, in section B. TO B. and in the field above MOK, right AIEQN. Griffin striding to the right. M.8. Smyrna, From a larger find made two years ago, Smyrni copper I'm sharing the money here with one of the particularly common 'Ourosta!) because of the The poet's hand in hand. 342. Br. 22 - Head of Apollo with laurel to the right. i

(649) | 125 raised to his chin, holding the book in his left hand; to the r. Page this Scepter. Gr. 7.65 M. S. — Plate IX No. 5. Mionnet III 198, 1012. A smaller number of halfts were also included in the find of Homereion, like that the following, represented: 343. Br. 20 - Head of Cybele with tower crown to the right. RB IMYPNAIQN | ATIOAAQNIA[HE]. Aphrodite with Kalathos on her Head standing right. With her right hand she holds the one around the chiton looped veil-like peplos, on the left one the goddess crowning Nike; her left forearm rests on a stele Base the goddess places the left foot. Behind the stele an erect one Scepter. Gr. 4.05M. 8S. — Plate IX No. 7. See Mionnet Suppl. VI 313, 1515 (Mus. Hunter). 344. Br. 20 — Likewise, with MENEAAox and TAP on the left. Gr. 4.80 M.S. 345. Br. 20 — Likewise, with TTYOEoL and R on the left. Gr. 5.80 M. 8. — Plate IX No. 8. Mionnet III 203, 1087; Num. Magazine 1877, p. 36 note 22. 346. Br. 19 — Likewise, with [QXoxXx and monogram on the left. Gr o.00 MES, I will put the variants that occur next to the picture of the Rs. of these coins to the side: 347. G. 20 — Head of Cybele with tower crown to the right. B [IM]YPNAI[QN] | TIPYTANEIZ. Same statue, but do front standing, and without the scepter. The chiton is sleeveless and the left breast exposed; Bangle on the left forearm. Gr. 8.50 Paris. — Plate IX No. 6. Mionnet III 190, 909 and Suppl. VI Plate ¥"3:. Bekhell’ Do n, vy. Se 537: 348. Br. 20 - Head of Cybele to the right, surrounded by a wreath of hichens. a: [IMYPNAIQN] | IKAAIOS. The same statue from the front, but she just does that Scepter in the right, and to the right of the stele there is a small bird (pigeon) to the left. Gr. 7—M.S. See Mionnet III 201, 1056-1064. 349. Br. 20 — FEBAXTQOI | IMYPNAIOI. Head of Augustus with laurel and Livia with a robe on the right. BR AEONTIZKOZ | INHOMEAONTOSIS. Same Statue from front, with Scepter and dove to the right. M. 8. — Plate IX No. 9. Mionnet III 218, 1215.

126 (650) With the interpretation of Aphrodite Stratonikis, R. Weil is probably correct Explanation for the representation of the back of coins no. 3483—349 given.') That the female head with the tower crown on the Mijrne Seay Siavdgry?) or Cybele is related, the coins with the same head and the side prove font Survdnyy, such as. B. the following piece: 350. Br. 20 — CITTYA|/HNH. Head of Cybele with tower crown to the right. RB XMVP!NAIQN. Tyche with Kalathos standing to the left, a bowl in the Right, the Ftillhorn in the left. Gr. 3.80M. 8S. — Plate IX No. 10. A similar tyche image is said to have existed for Bupalos as early as the 6th century BC Smyrnids made it, from which statement in Pausanias IV 30, 6 can be concluded wire, that ancient Smyrna soon after its destruction by the Lydians (around 627 BC) had regained some importance. A different and older type of Cybele head from the usual one gives the following coin: dal. Br. 15 - Head of Cybele with two spires and band to the right. BR PoAAl= | =MyYP. Crater-like Gefiss with lid; left next to it Shrimp. Gr. 1.91 M. S. and in stores. — Plate IX No. 4. In addition to the frequently occurring ones small coins with your hand of a fist kimpfers, an example of which is on Plate IX No. 12, there is also one with the two Poor people in fist armor as a type:°) 352. Br. 14 - Head of Apollo with laurel to the right. R [IMYPNAIQN] | MHNoAQPoE. The two forearms of a fist Kimpfers with leather straps (tucrtec) braided; one each on the left and right palm branch. Gr. 2.55M. 8S. — Plate IX No. 11. C. Combe has another example of this coin in the Mus. Hunter plate LI 15 (= Mionnet Suppl. VI 311, 1497), but the type was incorrectly used held a double altar. 353. Br. 34 — AOMITIANOC KAICAP CEBAC|TOC TEPMANIKOC. head of the emperor with laurel to the right. 1) Magazine for number VIII 8S. 337 and 3838: C. J. Gr. No. 3187, 3156. 2) Strabo 469; C.J. Gr. No. 3137 B.C. 70, 3193, 3260, 3286, 3385, 3386, 3401, 3411 etc. 8) Cf. the illustrations based on statues in Ch. Htilsen, Il cesto dei pugili antichi, Bull. dell’ Inst. Roma 1889 8. 177 and 179.

(651) 127 RB N€VC | OAYMNIOZ, and across the field in small writing ZMYPNAI | QN. Zeus Olympios, with Nike and scepter, enthroned to the left. M. §. On a coin with Vespasian's head is the name Zeus figure Name AKPAIOC given.') | 854. Br. 31 — A. AVP. COM | QAOC KAICAP. Bust portrait of Caesar with weapons wall to the right. BR CTP. TTO. Al. APIZH | A[OV] and in section CMYPNA[IQN]. youth Like Dionysus with long locks of hair and a naked upper body on the left sitting on a rock, the right hand placed over the head, the left to the left shoulder of Semele, on whose lap the god lay backwards leans on. Semele, in double chiton, sits in an elevated position, head to the left turned over the son's head, on his left shoulder puts the left arm. Her feet rest on a stool. To the right her the planted rod of thyrsus, to the left of Dionysus in the background on a pedestal the statue of the bearded Dionysus on the right, in long chiton, the left on the thyrsos, in the right the kantharos. Vienna. — Plate IX No. 13. In the catalog of the Tiepolo collection p. 929, from which the above coin comes from Vienna Come into the cabinet, the depiction is described as a group of three women, and as such the mint image appears again in Mionnet Suppl. VI 346, 1723, although Sestini, Latvia. num. cont. VIII pp. 59 and 60, 4, the. Figures already, if also not applicable, reinterpreted had. F. Streber has the same type found on a coin with the portrait of Julia Domna and given him the num. gr. pp. 222-224, plate V 3 (our plate IX No. 14) gives the correct interpretation. In the Choix des pierres gravées plate XXIII, Eckhel made an onyx with the same known depiction, posing the female figure as Ariadne. The strict one However, their posture and clothing contradicts this view, in its place the nerd has to kick.*) Teos. 399. 8. 16 — To the right sitting griffin with wings bent in one direction and er- raised left front paw. & Fourfold divided recessed square. Gr. 597. M.S: 1) Mon. gr. 8. 297, 131. 2) Cf. Thraemer in Roschers Lexikon 8. 1146.

128 (652) 356. P. 13 — Likewise. Gr. 2.90 M.S. 307. P. 11 - Griffon with rounded, smooth wings sitting to the right and the 1. front paw raised; in front of him is a dolphin with his head down. Pkr. K Four-fold recessed square. Cerio M.S, 358. P. 12 — Likewise, without pearl circle; in front of the griffin seal with his head down. Size L352 M.S: 399. P. 12 — Likewise, with T at the top and the griffin's head to the right before grasping. Gr. 1.36M. 8. 360. P. 12 — Likewise, with T and sea urchin before grasping. Gr. 1.28M. 8S. Depicted in Animal and Plant Pictures* Plate VIII 43. 361. P. 10 — Likewise, with HP between the legs and Astragalus before the Grab. GroAloT Me St 362. P. 12 — Likewise, with H | P below and in front of grasping; on the Rs. in the four fields of the square Y | Q | 1H | [T]. . Gr. 1.15M:5, 363. P. 12 — Likewise, but the griffin with pointed wings; in the fields of Rs. MEN | T| QP. Gr. 0.90 m. §. 364. P. 12 — Likewise, with a fee Gr. 1.07 M.S. The following silver coin dates from the 1st century BC: 365.5S. 19 - Head of the youthful Dionysus wreathed with ivy on the right. Pkr. RB THIQN in section. Griffon with pointed wings sitting to the right, with the Raised left forefoot, shouldering the staff of thyrsus. Gr. 3.18 M.S. 366. Br. 19 — Seilenos mask lying left on a cista; behind it scrig posed Thyrsos. Pkr. | RE THI/Q|N. Griffon with pointed wings sitting to the right, the left forearm foot above a vessel. Gr. 2.90 m. 8. 367. Br. 20 — PQMH in front of the bust of Roma with laurel? and clothing to the right. (Xceuoc).

(653) 129 B CTP. KPITQ|NOC THIQN. Statue of Artemis Ephesia from the front between two deer. Gr. 4.64 M.S. Of the type of licnophores on Teic coins, like Monn. gr. 8. 297, 133a, was above 8S. 91 = 615 (Plate VII No. 5 and 6) the speech. 368. Br. 20 — TTO. AIK. OVAAEPIANOC. Bust portrait of Caesar with robe to the right. R THIQ | N Apollo in a chiton, who uncovers the right shoulder reads, standing to the right, in the right a laurel branch, on the left holding bow. M. 8. — Plate IX No. 15. This is the copy that A. Butkowski published in the Revue Num. 1884 p. 403, 9 with alleged Artemis.) The following belong to the time of Septimius Severus and his successors Coins and similar: 369. Br. 25 — TEQC right. Bust portrait of the youthful Dionysus with female Hairstyle and robe to the right; a tower crown on his head Decorated with vines. Over the left shoulder Thyrsus staff with Tanien. RCT. T.K.| TTEICQNE(vov) and in the section THIQN. In the middle On a temple front with four columns, the youthful Diocese standing to the left nysos with a naked upper body, the left leaning on the thyrsus, in the On the right, holding the Kantharos over a panther, which is facing his left Fiissen stands. Gr. 8.—M. 8.—Plate IX No. 16. 370. Br. 24 — Vs. like the one above. B CTP. EVTV|XOYC.|THI|QN. Linkshin standing youthful Dio nysos with a naked upper body, the left on the Thyrsos, the right on the shoulders supported by a satyr rushing ahead of him, the one to whom the god looking up, this one grabs the hip with the left, and in the right a pedum helps. Brit. Mus. — Plate IX No. 17. See Mionnet III 260, 1480 (Munich) where the magistrate's name appears to be read out. 371. Br. 24 — Likewise, with [CT. T.K.] TTEICQ | NE. THIQN. Brit. Mus. 1) Of the eighteen coins published there, no less than fourteen are un- correctly described and partly incorrectly assigned, e.g. B.No. 1 Kephisia is from Apamea in Phrygia, No. 3 Heraclea of Nicomedia, No. 11 Bargylia of Bargasa, No. 2 has taken place Bacchus the Genius of Death, No. 8 Demeter instead of Juno, No. 14 Zeus Laodi instead of the pontiff kenos etc. Dep. d.I. Cl. d.k. Ak. d. Know. XVIII. Vol. IIL. Abth. (86) 17

130 (654) 372. Br. 24 — Likewise, with CT. TT. FETA AIAK. THON (80). In trade. — Plate IX No. 18. The sixth letter T is not completely clear, and could also be read [, which means no to combine names is. Cf. Mionnet III 263, 1505 with Sept. Severus and Suppl. VI 385, 1941 with Geta. The head type of these coins is usually a woman's head with a tower. crown and thyrsus described. But he undoubtedly represents Dionysus as such through the wreath at the top of the tower and the thyrsos rod marked. Those he performs as 6 tig mohewo Jedg Atdvvoog,') as the city god of Teos. Likewise On coins we see the Demeters of Olbia and Erythrai (above No. 296), the Ar- temis of Chersonesos and Abydos (above Nos. 191-196) etc. as city deities depicted with the tower crown. * Chios, 373. P. 18 — Left Hin seated sphinx; in front of her an amphora with grapes dartiber. RB Recessed square, cross-shaped with two wide stripes divided into four small ones squares filled with dots; on one of the strips EMAINE(rog). Gr. 3.63M. 8S. 374. P. 15 — Likewise, with EPOE. Gross M.S! These two drachmas also belonged to: the find reported by A. Lébbecke in the magazine for Num. XIV 8. 153 (Plate VI 1 and 2). The drachma coinage of the 1st century BC is divided into two series, one with, the other without the wreath of vine leaves around the amphora. Hs are of it The following varieties are known so far. x 375. P. 19 - Sphinx sitting on the left; in front of her a bunch of grapes. Pkr. K In a wreath of vine leaves Amphora between AQHNAIoz and XIloz. Gr. 3.85M. 5S. 376. P. 20 — Likewise, with AAKIMAXoz. Gr. 3.73 Leake p. 8. 1) C.J. Gr. No. 3092; Lebas and Waddington, Voy. arch. III No. 110. In this inscription The name JZecowveivos also appears, which the coins no. 369, 371 and other tables.

(655) 131 377. P. 20 — Likewise, with ANAPQNA, Gr. 3.69 Paris. Mionnet III 267, 22. 378. P. 20 — Likewise, with APEloxd. Gr. 4.04 Paris. Mionnet III 267, 24. ° 379. P. 20 — Likewise, with AQPOOEoL and trident. Gr. 3.65 Paris. Mionnet Suppl. VI 389, 10. Likewise, with EX T[IAloz. . Gr. 3.97 Cat. Whittall 1867, 478. 381. P. 20 — Likewise, with eagle to the right between ZH | Nothing. Vs. without Pkr. Gr. 3.24 (very well preserved) M. 8. Cf. Mionnet HI 268, 27 and Suppl. VI 390, 12 without specifying the wreath. 382. P. 20 — Likewise, with the Dioscuri caps between ZH | NOTHING. Gr. 3.69 Mus. Hunter plate XVII 12. 383. P. 20 — Likewise, with MMHTAZ | XISKOZ. Vs. without Pkr. Gr. 3.71 in trade. 384. P. 20 — Likewise, with Pkr. and TTAYZANIAZ | Xloxz. Gr. 3.60 M.S. : » 0.45 Prokesch East, Inedita 1859. He is uncertain Name AHMHTPlo x on a drachma with the Sphinx on the right Hin, Mionnet Suppl. VI 389, 9. oy ed = op i) S | IL. 385. P. 19 — Left Hin seated Sphinx; before you grapes. In the rule Pearl circle. RB Amphora, usually surrounded by a circle of pearls. In the field of ATTEA AH: | Xlox and winged caduceus. Gr. 3.94 Paris. Mionnet III 267, 23 (Aller). Cat. Northwick No. 1076. 386. P. 19 — Likewise, with APTEMIAQPox and Thyrsos. Gr. 3.98 Vienna. Mus. Caes. 178, 5; Sestini, Lett. num. VIII 77. Vel. Cat. Payne Knight p. 115. 387. P. 19 — Likewise, with ACPAAHZ and Thyrsos. Gr. 8.82 Munich. Mionnet II] 268, 26. 388. P. 19 — Likewise, with FoPMIAZ. Gr. 3.53 Berlin; Prokesch-Osten, Inedita 1854. 389. P. 19 — Likewise, with AEPKYAox and Fiillhorn. Gr. 3.82 Paris, Mionnet III 268, 28. », 23.66 Leake p. 8. « ol MD, Ls

132 (656) Gr. 3.43 Mus. Hunter 8S. 95, 7. . Vienna. Mus. Caes. 173, 7. In Suppl. VI 389, 8 Mionnet describes another example plar, on which the Sphinx raises one forefoot. 390. P. 19 — Likewise, with OEYTToPTToLy (so) and torch. On both sides Lkr. instead of Pkr. Gr. 4.20, good style. Munich. — Plate IX No. 19. This drachma appears to belong to an earlier period. The name KONQNo® on a drachma at Prokesch, Inedita 1854 is on based on incorrect reading. 391. 5. 19 — Likewise, with pearl circles; in front of the Sphinx ship prora and wine leaf? above, on the Rs. MHTP0OAQ | Pox and Aphlaston. Gr. 3.65 Mus. Hunter plate XVII 11. , 3.10 Paris. Mionnet II] 268, 29 seems inaccurate. 392. P. 19 — Same as No. 385, with PABIPlox, star and crescent moon. Gr. 3.01 Leake 8. 8. 393. 5S. 19 — Likewise, with CTAPYAOL and winged caduceus. Size.5.00 M.S. All Pieces from both series are more or less easily expressed Drachmas of the Attic system, sometimes of very low content. That- The same can also be said of the following punishment, which relates to time of Augustus. 394. P. 19 — MOYP.... TXIDAYAoLX PIAOTTATPIE around the one sitting on the right Sphinx around. RB AloTENHZ | EYAHMoxz | XI. Amphora. Gr. 3.78M. 8S. — Plate IX No. 20. Judging from the current holding of this drachma, the original original weight of the same 4 gr. reached or exceeded have. The metal seems pretty pure. 395. P. 19 — LEBAXTOox above; Sphinx sitting to the left. Pkr. AloTENHE | EYAHMox. Amphora. Gr. 3.16 Mus. Hunter plate XVIT 13, inaccurate with CEBAXTOoY. 396. P. 20 — Likewise, with grapes in front of the Sphinx. Cat. Allier plate XVI 7. Sestini, Mus. Hedervar II 207, 42. 5/397/19 — LTEBAXToxr. Sphinx to the left and grapes. Pkr. R [E]VAHMO[E] | [AJIOTENH[Z]. Amphora.

(657) 133 Gr. 2.55 (moderately preserved and very poor!)) Paris. Mionnet III 278, 128; Pellerin, Rec. III Plate CXXXI, 11. Even later are, in my opinion, two strange ones others Drachmas, which probably represent the last silver coinage of Chios:?) 398. p. 19 — .. PHI. in the section. Sphinx sitting on the left, in the raised one right front paw holding a wreath. Pkr. R BAZIAEQXLT | ANTIoXoY | AOPoO|N]. Amphora. The whole thing from one Surrounded by wreaths. Gr. 3.18 (apparently good silver) Paris. Ch. Lenormant, Rois grecs 8. 91, Plate XXXIX 18; Mionnet V 26, 236 and Suppl. VIII 10, 54 and 55. 399. P. 19 — AAINV in section. Sphinx sitting on the left, with a bunch of grapes in it the raised right front paw. B BACIAE QC | ANTloXoV | AQPo[N]. Amphora with stamped on it Grape. Pkr. Gr. 2.90 (low quality and raw style) In stores. — Plate IX No. 21. The first of these drachmas is discussed repeatedly, and soon Antiochus I, soon attributed to Antiochus II and IIL. Just the whole character des piece and even more so that of the drachma no. 399 contradict an allocation ung these coins to one of the Seleucids, and point out the place that I I arranged for them here according to the stamps from the time of Augustus. Will If this is admitted as correct, then the name on the two drachmas is probable to refer to the rich king of Commagene, Antiochus IV (88-72 AD). pull, which, as seems to emerge from the inscription d@eoyv, once Let's see, a gift of honor to the free city of Chios to do. From this relationship we can also conclude with greater certainty that the mint really stamp AQPON, from which words appear on the stamps we have received the last letter does not appear clearly, stood there, and not something next to it the royal name in the genitive case, an unlikely magistrate name such as B. AQPO [OEOC]. ' The special one excellent autonomy from Chios during the Roman period corresponds to the city's unique character. None of the numerous copper coins, which were minted until the middle of the 3rd century AD, shows a portrait 1) According to a good communication from Babel. 2) As is well known, there are also silver coins from the province of Asia in the cistophore weight, which show the head of Augustus and the Sphinx with Latin inscriptions. Pinder, cistophore 8. 580, 8 and 9 (Gr. 12,15) and p. 607, plate II 9-11; Cohen I (2) 67, 31; Head, Guide Plate 63, 33 (Gr. 12,18); Cat. de Belfort 1888 plate 1163. But according to their allocation to Chios there are different ones There are concerns, some of which Pinder 8. 607 has already communicated.

134 (658) or name of an emperor, as is otherwise the case with Greek copper from the imperial era rule is. Also magistrate names are rarely found; on the other hand, it's almost detrimental each piece has a written value. The chronological order of the Chinese copper coins is therefore like me earlier in the month. gr. p. 298 noted, not easy to implement, and only then with some success to undertake once the entire existing Material will be combined in casts and with weights in one hand. In the meantime, the following still unknown variety may be of some interest- say: 400. Br. 29 — PIN HMVCV in section. Sphinx sitting on the right, the one on the left ACA | Front paw raised above an aphlaston. RB XI|WN. Two crosswise placed thyrsos rods; grapes above, below Kantharos. Gr. 11.50 sts. 8. The inscription on the front reads eocow juvov, fiir aooagioy tucov: Instead of the final letters, the first letters ACA are clumsily on the bottom line. The incorrect spelling juvov instead of jucov forms the rule in the Chinese language Coins. It can also be found several times on Attic inscriptions, e.g. B. at U. Kohler, Mith. of Athens. Institute If $8. 278 lines 7 and 280. > ' . . . + * - Aooaguy, spelled with just one o, is also common; new is in > , . . . . coaow just the expulsion of the o in the ending, a barbarism, the very is livable.*) The coins with the denomination cooaguoy jnucov are still available, as is the case I see, generally, but mistakenly taken for half-ass pieces. But these are called Greek ijucacoceua, while aoocg.oy juuov means 11/2 As. In the Cyrilli schen Glossaries 8. 399 Steph., which Mommsen brought to my attention to do the Giite had, it says aooagiov Nurov, sesquas. Sesquas is 11/2 As, and it is therefore from the undoubtedly corrupt cooagiov the nom- to produce native form aooagioy juov. From the directory below of the securities and the me- known weights it is also clear that between 11/2 and 1/2 as- Sarien can be distinguished. | 1) Franz, Elem. epigr. graecae 248; Ritschl, Opuscula IV 446 ff. Kaddéowy, xoddow, Iavova- ots, Atovdois, Anurytois and 8. w.

1. 4/2 Assarion. HMIACCAPION Gr. UOIFAD | AIMH ; HMIAC | APION 5 EIMIE(IC 2)A. : 2. Assarion. AZZAPION Gr ACCAPION : 3. 14/2 Assarion. ACAPIN HMVCV Gr ACCAPION HMVCV 9 ACCAPION HMV. ° ACAPION HMVCV . 4, 2 Assariah. AVO ACCAPIA, with APX. TTPEIMOV Gr AVQ ACCAPIA. ,APX. XPVCOFONOV ] ? 9 7 ? AVQ. ACAPIA :-) 5. 3 Assaria. TPIA ACCAPIA be] Gr A You 3.75 3.31 3.05 2.10 2.50 » 11.50 11.30 7.20— 6.61— 5.90 ee 8.70 8.25 6.50 3.80 3.00 3.00 . 10.80 8.30 6.50 5.67 4.40 4.70 19.25 M.S. Klagenfurt. M.8. ” Munich. M.S. M. Gr. No. 187. 4.20 Paris. Brandis P. 568. 4.40 m. 8. Basel. M.S. Paris. Loebbecke. Munich. Basel. Paris. In trade. Paris. M.S. Paris. M.8. ” . 21.84 Bologna M. Size No. 140. Paris. Mionnet III Pye pie Bie

136 (660) TPIAC?) A. Gr. 13.40 m. 8. M. Gr. 8. 298. TPIA ACCAPIA Pat bal CU Beg » 1O.—Mionnet 119. with APX. XPYCOTONOY , 8.77 ” TPIA ACAPIA ” » 6.42 ” . r . , y In addition to these value designations and the further tetoayadxor, totyadxoy and . . iat oe: . > / . diyadxov, come in Chios there is still that of 0fod0g.) The weighed samples plare of this coin show OBOAOZ Gr. 14.40 Florence. M. Gr. No. 138. », 12.40 (poorly preserved) Munich. | 16.47 Vienna. M. Gr.’ No. 141. » 9.80 Berlin. Brandis 8. 568. ” 8.40 ” ” ” » %.36 Bologna. M. Gr. No. 142. OBOAOC ~~ - The name Obolos lasted until the 3rd century AD, but so It is clearly visible, not until the time of the most spiteful Chinese influences, to those those with the archon names belong. Only with the latter comes for Pieces of the same size and similar weight as those of the Obolo that have been used so far Unusual name dvo cooagia appears, and the name 6foddg disappears. There zidem the earlier ace and obolos pieces, in this respect they are approximately at the same time, regularly show weights that behave approximately like 1:2,?) that's how it is at the Correctness of what was said earlier that in Chios the Obolos and 2 Assaria are the same value,*) can no longer be doubted. Therefore, when Mommsen concludes from a passage by Paul (Dig. 16, 3, 26, 1), in ordinary traffic was also said ofoddg for Cooagsoy,®) seems so This does not seem to be the case, at least for Chios. 1) Tovds is natural in the Greek sense, for 3 units (Assaria) and not for triens (1/3) to take. 2) Mionnet cites T. III 278, 123 a piece with the unlikely inscription HMY. OBO. from the Cousinéry collection. However, as expected, the coin cannot be found. 3) Regarding the example in Monn. gr. p. 298 agree with various others that I have here not having to quote belief. 4) Mon. gr.a. a. O., where it is also emphasized that the usual type of the 3 as- pieces are two standing figures, the one of the obolo is one, i.e. just like on the one replacing 2 asceticles. 5) Rome. St. R. I, 1 8. 761, note 2.

(661) 137 Ikaria. Whether the small autonomous copper coins with the inscription EKKAP | PEQN are attributable to the island of Ikaria is still doubtful. But it's safe not here the coin with the image of Commodus, Mionnet Suppl. as 403, 115 according to d’Ennery: instead of IKAPIEQN there is undoubtedly NIKAIEQN, as can be read in Mionnet Suppl. V 102, 547. The city of Oinoé appears accordingly to have only coined their own name and not that of the island. Samos, 401. P. 25/21 — Same as No. 147 the Mon. gr. p. 299, with [AJAKMEQN and depicted- under in small font HTEAAONEQE. Gr. 14.95 Dr. H. Weber London. 402. p. 24 — Likewise, with AATHE. Size 45.0258. 403. P. 16 — Lion's head skin from the front. KR MYAEY[Z]| top, Z[A] bottom right. Front part of a bull to the right, with a dotted final line. Gr. 3.35 M.S. KARIA. Alabanda, 404. Br. 9 — Head of Apollo to the right. K Laurel with three branches. Gr. 0.56 M.S. 405. Br. 19 — The same head to the right. BR AAABANAEQN above, TAM®@IAoy in section. Zebu standing to the left; Above his head is a bust of Helios from the front. Gr. 4.42 M.S. i 406. Br. 19 — AAABAN|[Q]JEQN. Head of Augustus to the right; including M. I Female head (Livia?) to the right. Berlin. See Mionnet III 307, 19 and Suppl. VI 488, 20. In one of the three shapeless stamps on the piece is q, 407. Br. 18 — APILTO[TE]JN|HZE INMAPXHE. Head of Augustus with bandage to the right. Dep. d. I. Cl. d. k. Ak. d. Know. XVIII. Vol. III. Abth. (87) 18

138 (662) R AAABANAEQN left, MAIA and WT below, right. Head of Livia to the right. M. 8S. — Plate IX No. 22. See Mus. Sanclem. II p. 45 Plate XIII 17 with APIXTolEN... on the one hand, and supposedly AIB... (in place of the monogram) on the other side. TInaagyysg is undoubtedly a civil servant title here, not nickname of Aristogenes, uud Mate the name the goddess with whom Livia identifies became. In others Cities Livia had the names “Hoa, véa “Ioig, Hedvoiw, Sec Alodicg et al. s. w. er- hold;+) as ‘Maite she appears here for the first time. In relation to this name, which was that of the mother of Hermes is perhaps the type of another Mint from Alabanda with Livia, which, after Sestini, the Tiberius as Hermes represents.*) Amyzon. The Mitinzen in the Monn. gr. p. 304, 1 and numbered magazine. XVI 268, 94 is to add a new one: 408. Br. 12 - Bust of Artemis with robe, quiver and bow to the right. BK AMYNONEQN | AHMHTPIOC. Burning torch. Gr. 1.54 M.S. Cf. Numbers Chron. IX 8. 144. Antioch, 409. Br. 18 - Head of Apollo with short hair and laurel to the right. Pky. EB ANTIOXEQN above, APIZTEYE below. Pegasus flying to the right; including cooker. Gr. 4.07 M.S. 410. Br. 20 — KAIXAP right, SEBAXTor | _ANTIlo. left. Head of Augustus with laurel to the right. RE TEPIHC EVFENETWP ATTOAAcAOT Oo) (see above), and in the field TIBEPI | oC. Head of Tiberius to the right. M.S$. 411. Br. 16 — Like Monn. size 305, 10. Mus. Athens No. 5571. — Plate IX No. 23. 1) Mionnet IT 594, 542; C.J. Gr. Indian 8. 54; Lebas and Waddington, Voy. arch. Insert. III Expl. 8. 193. 2) Mionnet Suppl. VI 438 19; cf. III 306, 18.

(663) 139 The image on the back represents an Acxvogcégog; a native old man in short- sleeveless shirt and clothing from the loins to the knees; with both Hiands he has a covered basket on his head; In this respect he differs from the others Similar figures made known here (Kyzikos No. 169 and 170 and Teos), since they only use one hand to carry things and hold a staff in the other. Since the larger coins of the same time bear the name of the emperor's head and the second The common epimelete names show Dionysus, so it is very likely that too the basket holder of the partial coin is to be paid to the Bacchian circle. Aphrodisias and Plarasa. 412. Br. 15 - Head of Zeus with long curls and laurel to the right. RB [PJAAPAZEQN | [AJAMoNIKoz. Eagle left on a double ax standing. Size: .2.95. M1. 8, The prigs called Plarasa alone are extremely rare. This one seems described to be the oldest of the genus (8th or 2nd century), if not the only one known so far. Because those coins on which Sestini and others pretended to read only the first of the two names!) show on full- Extant specimens also include those of Aphrodisias. 412a. Br. 16 — Similar head to the right, somewhat finer style. R A®PoAI| ZIEQN. Archaic Image the Aphrodite with pre-stretched ones Forearms to the right. Gr. 4.78M. 8. Hine mint from Gordioteichus, located near (northwest) of Aphrodisias, the Liebbecke in the magazine. for Num. XV Plate II] 14 made known, shows on the one hand, exactly the head type No. 412 and on the other hand the picture of Aphrodite no. 412a. It therefore appears that the three neighboring communities were each in their own at the same time names had been stamped on copper. 413. 8. 17 — Same as Monn. gr. 8. 305, No. 13-18, with AP|TE|MON >k|APTE, MIAQ. | Pox on six lines to the left and TH |NQN to the right of the eagle. Gr. 3.56 in trade. 414. P. 18 — Likewise, with XPY | LITT | Tox links, XPY | LITT | TToY BONES Gr. 3.32 In trade. 415. P. 17 — Likewise with the eagle on lightning to the right between Fiillhorn with Tanie left and MV | QN | KAA | AIT | TToV right. Gr. 3.50 sts. 8. 1) Cf. Mionnet III 322, 107 and Suppl. VI 456, 106-108; Rev. Number 1851 p. 246. 18*

140 (664) The drachmas of the united Plarasians and Aphrodisiacs seem to be a prize of the 1st century BC, which lasted until the time of Augustus. 416. Br. 27 — 1EPA CEVNKAHTOL. Bust of the Senate on the right. BT. K.ZHAO!}C ANEOH. and across the field on two lines A®| POA and EIC!; EQN. Female figure (Aphrodite) in double chiton and peplos standing to the left, the left leaning on a scepter on the right arm a child facing her (Eros) carrying, that, half-dressed, the arms stretched up. Paris. — Board IX No. 24. Cf. Mionnet III 324, 122; Suppl. VI 458, 121. The name of the priest T(«Ségrog) K(Aavdvoc) Zjdog is coming on Mtinzen with the portraits of M. Aurel, Faustina and L. Verus,!) and that is why it dates from it The above coin from the time of these emperors. The same type of the back can be found again on a more spiteful note: 417. Br. 80 — IOVATA AOM | NA AVITOVCTA. Bust portrait the Julia Domna to the right. B ETT APX(6vtwv) TQN | TTE(@i) MENECO|EA ICOB|OVNON and im Section APPOAEICI| [EQN]. Similar group. M. 8. — Plate IX No. 25. See Mionnet Suppl. VI 462, 137, after Sestini (Gotha). Although the hairstyle and clothing suggest that she is a girl, so Nevertheless, given the difficulty of explaining it, it is all the more likely plausibility the child for a boy to keep, than the Leto representations Coins for little Apollo are not uncommon also with female hairstyle and with the lower body clothed, very clearly e.g. B. on a coin from Tripoli I had it illustrated in the Num. Magazin 1884 plate V 12.?) There furthermore one the two most common types of Aphrodite from Aphrodisias, except for the attribute of Apple instead of the child, with the female figure of the coins no. 416 and 417 seems to be identical, it can be assumed that Aphrodite is also meant here and therefore Eros is the child she carries in her arms.. Unwinged and Eros is occasionally found clothed on the coins of Aphrodisias, which is the archaic cult image show the goddess and from them I here from many just give an example, where the little god at the same time the arms begging upwards stretches: 418. Br. 22 — 1OV. KOP.| CAAQNINA. Bust portrait the Empress on the moon sickle to the right. 1) Lebas and Waddington, Voy. arch. Expl. of the advertiser. III, pp. 199, 596. 2) See Overbeck, Gr. Art myth. Apollo. Mint tray V 17-20.

(665) cS 141 R A®POAI | C[lEQN]. Archaic Image the Aphrodite with closed Feissen to the right standing, the forearms stretching forward stiffly and empty. Up On the head she wears the calathos and a long one, almost reaching the back floor reaching veil; the tight-fitting, bottom filtered clothing is decorated with figures.t) Behind her sits in a kind of cradle, Alxvor, Eros on the right, clothed below, holding out his little hands to the goddess; before this one a rose and up next to the Kalathos star on the left, star on the right crescent moon. M. 8. — Plate IX No. 26. See Mionnet Suppl. VI 467, 159.7) In addition to this ancient Aphrodite type, the one on the larger copper coins still appear accompanied by two flying erotes, and the other two There is a later style with a scepter and apple, and a scepter and Eros on the arm on aphrodisiac symbols there are also various other representations of the goddess, e.g. b. a naked one, to whom Eros removes or fastens the sandal,*) a half-naked, right- sitting down, who holds a wriggling winged Eros in each hand, while the third unwinged sits on the floor behind her chair,*) and Aphrodite and Ares, of which group I repeat the description here and a new image ung give: 419. Br. 32 — IOVAIA AO|MNA CEBACTH. Bust of the Empress on the right. KB MENITTITTOC AN|EOH| APPOAIEICIEQN. Aphrodite with Stephane and standing to the right in the double chiton, both of her hands on her shoulders of the Ares standing in front of her. This one, helmeted and with spear and Shield in the left, places the right on the back of the goddess. Behind the Group the stretched net. collection the Congreg. the Mechitarists in Vienna. — Plate IX No. 27. P. Sibilian, Numerical Journal. 1870 p. 317 plate VIII 8. Depictions of Aphrodite alongside Ares are among the rare coin images. Except on the copper coins by Amasia (see No. 3 and 4 above) and Syedra in Kihkien (where the two deities are joined by Homer) they come to mine Known only on Reman medallions and bronzes of M. Aurelius and the younger Faustina.°) 1) On a coin from the Munich Cabinet, with Hadrian and Eros shooting in front of the statue (like Gardner, Types Plate XV 10), the lower part of the dress is divided into two fields divided, of which the upper one is a billy goat or capricornus, the lower an indistinct one Object (head?) shows. 2) Other examples in F. Lajard, Culte de Vénus plate III A 1-4 and XIX 13. 3) Friedlaender, Arch. Zeitung 1869 p. 97 plate 28, 5. 4) Lajard a. a. O. P. 199 Plate XIX 9 (Maximinus); Num. Chron. IV p. 141 ff. 5) W. Fréhner, Medallions Roman. $. 82 (illustration); Cohen, Med. Imp. (2) III 62, 616 (Fig.), 156, 241 (illustration) and 161, 288.

142 (666) It is possible that Aphrodite can also be seen in the following picture, perhaps the Pandemos.') 420. Br. 20 — AHMOC right. Bust portrait of the demos with laurel and robe to the right. RAPO | AEICIE | QN. Female figure with naked upper body on the right- out riding on a monster that comes from the front of a goat bucks with backwards heads, and one multiple times ringed Dragon tail is formed. The seated woman supports herself with her right hand on the back of the animal, in the left hold the peplos that is above her head is swollen in an arch shape. M. 8. — Plate IX No. 28. Embossed from the middle of the 3rd century. 421. Br. 24 — AHMOC | EAEVOEPOC. Bust portrait of Demos with bandage and bandage wall to the right. BR A®POA EICIEQN. Prize urn with palm branch and TOPAI | ANA as domestic writing, on one with animal images ornate tables; under this ATT | AAH | A M.8. The piece dates back to the time of Gordian III, and is not uninteresting because of that Title of the demo, éAevPeo0c. On another simultaneous coin with the image The emperor's nisses are the Demos and the Eleutheria with her legs crowning him. fonts AHMOC and EAEVOEPIA shown.?) 422. Br. 22 — €TTId. KAI. TTO. COP. OYAAEPIANOC. Bust of Salo ninus with laurel and robe to the right. R ADPOAEICIEQN. Tree with three high branches; to the left there is a man in Chiton and Phrygian cap, with an ax in the raised groves Strike the trunk in a sweeping manner; on the right another man, with chlamys above the back, hurrying away to the right in a bent position; over this one appears the upper body a third figure turned to the left and _ both Raising arms. M. 8S. — Plate IX No. 29. See Loébbecke, Magazine for Number XVII 115 Patel ii; 1: Both the title éig(aréotatos) Kai(ovg) — also identified by an inscription witnesses*) and the Latin "nobilissimus Caesar" accordingly - as. the names P. Cornelius and Saloninus Valerianus*) fit one as well as the other 1) About representations of Aphrodite on the trestle see Boehm, year of arch. Inst. IV 208-217. 2) Drexler, magazine. fir Number XV p. 83. 3) C.J. Gr. 3182. 4) W. M. Ramsay, Review of Etudes grecques II (1889) 8. 32. The inscription of se gives the sons of Gaul the title #sogidgotato: Kaioapes LePaotoi.

(667) 143 two sons of Gallienus. The portrait of the mint comes from the inscription alone cannot be determined. Judging by its mature features, however, it is undoubtedly represents Saloninus, who had outlived his younger brother.) This one differs from the well-known depictions of the tree of Aphrodisias*). Our coin depends on the fact that in addition to the striking and the fleeing figure a third appears. This has nothing to do with the tree falling; Simply lift both hands freely, with your right hand slightly above the nearest branch protrudes. Despite the fact that she is no less tall than the other two I still think I can point it to Adonis, who, as his father the myrrh tree split had, out this one was born out.*) In the fleeing figure is likely a companion of the father to see, the one from whom Miracle, frightened, runs away. The depiction is, as would be expected from the time of Gallienus, crude execution, and perhaps the die cutter was floating for the figure of Adonis is also less of a newborn than a young man. Apollonia Salbake. 423. Br. 13 - Head of the youthful Dionysus wreathed with ivy on the right. R ATTOA|AQ above, NIATQN below. Liewe, or panthers, to the right jumping. Under the inscription Maianderlinie. Gr. 3.15M. 8. 424. Br. 17 — Female head to the right. & ATTOAAQ NIATQN. Apollo to the left on one Miander line standing. . Cat. Whittall 1884 No. 1067. See Mionnet III 331, 166 (Pellerin, Rec. Il Plate LXV 12); Waddington, Rev. Num. 1853 8. 175, 9. 425. Br. 18 - Head of Zeus with two long, stiff curls and laurel to the right. i ATTOAAQ | NIATQN. Amazon, with the double hatchet on the left shoulder, riding to the right at a walk; under the horse miander line. Gr. 5.30.M.-B.:—- Plate X Nal , 8.07 In trade. Athens No. 5580a. 1) Renier, Inscr. Rome, de l'Algérie No. 3282; cf. Lépaulle, Rev. num. 1887 8. 253-258, where the year of Saloninus' death is pushed back to 266. 2) Mionnet III 325, 131 and 132 and Suppl. VI 459, 125; Revue number. 1849 8. 428 and 1851 8. 236; Head, Historian num. 8S. 521; Imhoof and Keller, animal and plant pictures p. 64 plate x 43. 3) Hyginus, Fab. 58 and 161.

144 | (668) Paris. Mionnet III 331, 164 (Pellerin loc. cit. 13); Waddington a. a. O. pp. 180, 1; Holleaux and Paris, Bull. de Corr. hell. IX 343, 5, where the meander line is incorrectly corrected to 'créneaux d'une ville'. According to Waddington, because of the representation of the Miander, the last, and consequently, for the same reason, the two previous coins, the pisidi- assigned to Apollonia Mordiaion, because this is near the Miaander springs and the city of Apamea Kibotos, whose coins often line the meander line show. But the allocation cannot be correct, firstly because of the factory The coins in question, which, judging especially from the type of Zeus head,*) is unmistakably Carian, and secondly because Apollonia Mordiaion does not belong to the river area of the Maander or one of its tributaries, but in the area of Lake Egerdir belonged. The place was about thirty kilometers above the sources of that river and the watershed,") and it is therefore not clear how the Pisidian city could achieve this would have managed to be marked with the meander symbol. The coins in question are therefore decided to be given to a Carian Apollonia; and since there is no known town in Mianderthale that, perhaps even temporarily, going, this name was borne, and the character of the head of Zeus straight up the area indicates where Apollonia Salbake was located,*) so it probably can't linger be doubtful as to where the coins No. 423-425 belong. Apollonia was in the Source area of Harpasos, of a tributary of the Miiander, and probably because of The river symbol was chosen for this connection with the area of the main river, that one can find on prigs from Apamea, Tripoli, Antiocheia, Magnesia, Priene and many- easily meets other towns in the valley and on the plain of the Miander. 426. Br. 20 — CAABA|KHC. Head of Sarapis with Kalathos to the right. Pkr. KR ATIOAAQ | NIATON. Isis standing left with Sistros and Gefiss. Pkr. Size 8.35 M.S. Munich. Mionnet III 331, 167 and Sestini, Lett. cont. VI, 37 with an- probably CAAIAKOC. Waddington a. a. O. S. 174, 4 assumed the head on the obverse of this coin of the mountain god with the inscription CAANBAKOC; but it is clearly CAABAKHC to be read as the genitive of 7 Sadfaxn. 1) The head type of No. 425 is identical to that of various coins from Tabai, Plarasa, Gordioteichos etc., Stiaidte which were all in the same area as Apollonia Salbake. 2) See El. Reclus, New Geogr. univ. IX 8S. 529 (map); Sterrett, epigraph. journey in Asia minor 1888 map I 3) The place is identified with today's Medet: Bull. de Corr. Bright. IX p. 343; ster- save a. a. O. P. 26. .

(669) 145 427. Br. 21 — ATTAOAQNIA (like this, but unclear). Bust portrait the Athena with the Aegis to the right. Ki TTATTIAC right, KAAAI(TT)ITOV. Zeus Nikephoros to the left sitting, the left leaning on the scepter. Dresden. See Waddington a. a. O. 8. 174, 6; Huber, Berl. Blatter 1865 P. 191, 41, both with incomplete official names. 428. Br. 17 — CEBAL TOL. Head of Caligula to the right. R ATTOAAQNIOE on the left, KQKOY in the section and ATTIOAAQNI ATQN right. Same type. M.8. 428a. Br. 20 — CEBAC TOC. The same head to the left. R ATTOAAWNI| ATWN _ right, ATTOAAW | NIOL KW | KOY left. Apollo in a long robe standing to the left, a bird on his right and holding a branch in his left hand. M.S. Similar, with a different type of Apollo and an incomplete name Mionnet Suppl. VI 470, 172 and VII 5, 15; Waddington a. a. O. S, eyelid; 40: 429. Br. 21 — AY. KAI. M. AVPH.| COMMOAOC. | Bust portrait of the unborn Emperor with laurel and robe to the right. & ATTOAAQN|IATQN. Buck-legged horned Pan striding to the left, with his right hand he grasps the horns of a goat walking next to him, in his left arm the shepherd's crook. Mus. Parma. — Plate X No. 2. The type can be found on a coin with Maximus (Mionnet II 522, 48 and Suppl. VI 474, 191) repeated. 430. Br. 33 — AVT. KAL M.| AVP. ANTQNINO, — Bust portrait of the youth Caracalla with laurel and armor to the right. EEGTPA. NIKOCTPATO | V ATIOAAQNIATQN. Demeter with veil standing to the left, ears in the right, holding the scepter in the left. Nope 430a. Br. 33 — Obverse from the same stamp as No. 430. BRCTPA. NIKOCTPATOV ATTOA and in the section AQNIATQN. Zeus Laodicenos with eagle and scepter standing to the left; behind him Athena standing forward, head turned to the left, shield on the left arm Spear, in the lowered left hand olive branch: in front of Zeus the city goddess with Kalathos and standing to the right in the double chiton, the rights to the scepter, in the left perhaps a bowl. The group in question appears on coins from Laodicea, with the images Hadrian (Paris) and the younger Faustina (m. p.). Dep. d. I. Cl. d. k. Ak. d. Know. XVIII. bd. IIT. Abth. (88) 19

146 | (670) Bargylia. 431. Br. 13 - Front part of the flying Pegasus to the right. h BAPLYA |[HHTQN. Artemis Kindyas in double chiton, with Stephanos and long veil, standing forward on a base and arms above crossing the chest. Copenhagen. — Plate X No. 3. Report on the cult of Artemis Kindyas, except Polybius and Strabo, several inscriptions.1) On a Paris coin with Titus there is a deer next to it the idol.*) A piece similar to that described above, but with the entire Pegasus, Prokesch-Osten was depicted in the Arch. Zeitung 1844, plate XXII 28. The chest Image of the Géttin as a coin type in Monn. size 8p. 306, 27 and 28. Knidos. 432. P. 26 - Head of Aphrodite with earring and collar to the right; there- behind “E, R KNEE UNDER, TEAEXIPPQN in front of the front part of a lying lion to the right. Gr. 13.89 Dr. H. Weber London. — Plate X No. 4. 432a. P. 15 — Likewise, with a different hairstyle on the head. Gr. 3.40 M. S. — Plate X No. 6. , 3.17 Paris. Mionnet IIT 339, 206 with EAEXIMPON. These include simultaneous copper coins with the name monogram and Official names and AAMOKPATIAZ around the female head.) The beautiful, sublimely cut Aphrodite head of the tetradrachm is rare. sam off against the flat work of the back of the same, and the head of the following piece: 432b. P. 26 — Unadorned head of Aphrodite to the right. BK KNIAION itiber and [AJNTIOXIAA[Z] below the front part of a lying the lion to the right. Gr. 14.90 Collection de Luynes. — Plate X No. 5. Ks this is Mionnet Suppl. VI 481, 215 from the former collection Dupré described copy. All of these coins appear to date from the 2nd century BC. 1) Lebas and Waddington, Expl. of the advertiser. III pp. 186 and 187; Bulletin de Corr. Bright. v pp. 191, 14 and XIII pp. 87, 5. 2) Mionnet III 336, 191. 3) Mon. gr. pp. 310, 51a.

(671) | 147 Halicarnassus. 433. P. 18 — Same as No. 56 the Mon. gr. p. 311, with AAIKAP. 1, PAWN r. Gr. 5.—M.S. The reading of the strange name is safe and complete. 434. Br. 20 — Same as No. 59, with AAIKAP. APAKQON. Size-'7.50° My S: The silver coins of the same time show the name. Harpasa. | 435. Br. 27 — [AVT.] K. M. AV.) ANTQNEINOC. Bust portrait of the youth Caracalla with laurel and robe to the right. KM. AY.|EVAN APOC B. AP | XIATPOC AP[TTJACH | [NQN] to six Rows in a wreath of leaves. M.8. The title aoxiateog is rarely found on coins, to my knowledge only on such by Heraclea Salbake, where the one out Imperial ones known from an inscription Senior physician Statilios Attalos is called.1) M. Aur. Euandros was probably city doctor of Harpasa.) Heraclea Salbake. 436. Br. 20 — XEBAXToE right. Head of Augustus to the right. BR ATTOAAQNI | OF | ATTIOAAQNIOY right, HPAKAEQT | QN left. Naked one bearded Heracles with crossed arms legs standing to the left, the Right stretched out, club in left arm. M. 8S. — Plate X No. 7. 437. Br. 15 — ATTOAAQNIOZ right, ATTOAAQNIOY left. Beardless head with a lock of hair to the right. KK HP | AKAEQTQN. Zeus Nikephoros sitting on the right, the right hand on Scepter. M. 8S. \ 1) Lebas and Waddington, copy of the Inser. III 8. 402; Marquardt, private life of the Rémer 5S. 703, 8. 2) *“Aoyiatoo these addews can be found on inscriptions from various Carian cities (Alabanda, Aphrodisias, Euromos) see Marquardt a. a. O. 8. 755, 4. 19

148 (672) 438. Br. 16 — KAI|ZAP. Bust portrait of the youthful Nero with robe to the right. BR FAYKQN | IEPEYC right, HPAKAE| QTQN left. Amazon in short chiton, standing forward, head to the left, in the right bowl, in the left double axe. M. 8. — Cf. Mionnet III 139, 579, where the head is incorrectly referred to as Augustus is related. 439. Br. 16 — Vs. with the same stamp. RB PAYKQN | IEPEYZ right, HPAKAEQ | TQN. club. M.8. Similar, with standing Heracles instead of a club, in Mionnet Suppl. VI 226, 977 and Lebas and Waddington a. a. O.P. 402, 2. 440. Br. 16 — ZE|BALTH. Bust of the younger Agrippina on the right. KB FAYKQN | IEPEY> left, HPAKAE | OQTQN right. club. M.S. 441. Br.-30 — IOVATA AO |MNA CEBACT. Bust portrait the Empress to the right. EK HPAKA above, ECQTON in section. Amazon in short chiton and Peplos standing forward, a bowl in his right hand, the double ax in his Left. To the left is Artemis in a long chiton, her head to the left facing, quiver over the left shoulder, bowl in the right and bow in the left; on the right the Amazon Demeter in the double chiton, the Head with veil turned to the right, in the right a grain or branch Left on the scepter. M.S. The group in question can be found on Mtinzen with the bust portrait of the demo on the vs.') These are of a somewhat cruder and undoubtedly later design as the Domnamiinze. jasos, 442. Br. 17 - Head of Apollo with laurel to the right. BK IA above, MAYEZANIAS below. Hermias on the right side of a del- phins, which he holds with his left hand, swimming to the right. Gr. 3.45M. 8S. — Plate X No. 8. 443. Br. 17 — Likewise with IA. IAXON. Gr. 3.56 M.S, 1) Waddington, Revue num. 1851 plate XIII 7; Fox II 102.

(673) 149 The type has been discussed repeatedly recently.t) At Athenaeus is the one boy Dionysius, called Hermias by Plutarch and Pliny. The coins put depicts him swimming with the dolphin, 27 wév Huddcodny nagary- youevw te xi gsoitovte.*) In addition to Aelian, Plutarch and Pollux also mention it Jasos punished Silver and copper coins with this image. On the one from the The monument erected to Hermias by Jasier appears to be depicted riding on the dolphin. been provided to be, and not like on most coins, with the animal floating or grasping it for climbing. The name ‘Eouiag is coming on one this one Coins also as magistrate name before.*) Sebastopolis. 444. Br. 20 - Bust of Athena with Aegis to the right; in front of it spear. Pkr. & CEBACTO | TIOAEITON. Young Dionysus in short chiton left- standing there, a bunch of grapes in his right hand, a thyrsus in his left arm. Pkr. — Spite Factory. Size... 3.55: M28. 445. Br. 25 — IEPA CVN | KAHTOC. Bust portrait of the Senate with garb to the right. BR Same inscription. Image of a standing female deity in double chiton and with calathos and veil, facing forward, the lowered rights on Dress with your left hand under your breasts. M. S. — Plate X No. 9. Paris. Mionnet Suppl. [V 455, 207 (Pontos) and Millingen, Syll. 8S. 73. The cult image, that also on coins with the heads of the Demos, the emperor Vespasianus, Julia Domna and others occurs,*) shows no attributes and is therefore half cannot be determined with certainty. Kher than Hera, for which it has been repeatedly declared, should it Artemis represent. From this essential different that is too ancient image of the following piece: 446. Br. 30 — IOVAIA | MAMEA. Bust of Julia Mamea on the right. a: CEBACTOTT| OAEITQN. Female deity in double chiton and with one behind down to the ground hanging down Veil forward 1) E. Pottier and S. Reinach, Bull. de Corr. Hell. VII 445 and 446; Hicks, Journ. of Hell. Stud. VIII 93 and 94. 2) Aelian's animal history. VI15. 3) Mon. gr. p. 311, 65, where the boy is incorrectly called Jasos. 4) Pellerin, Rec. III, plate CXXXVI 9; Mionnet II 536, 187; Num. Chron. v p. 184, and 1875 plate XI 4.

150 (674) standing, with his right hand a Kalathos placed on his head or basket, in the sideways advanced Left one burning torch holding. M. 8S. — Plate X No. 10. This appears to be the same deity as those often found in the Cybyrtic coins depicted. For comparison, I give No. on plate X. 11 the illustration one of Mionnet IV 262, 397 described piece, whose Vs. the heads of the Maximinus and Maximus shows. The goddess of Kibyra, the one now and then too occurs in a chariot drawn by Lions,') has so far been found in Demeter, Persian phone or Cybele has been interpreted. Probably but is it an Artemis or Hecate, similar to the younger ones of the Carian Stratoniceia, which also with Kalathos and torch appear, see below No. 453. In Kibyra she acts as the city goddess the city symbol, the basket, on the head and in the one not far away from it Sebastopolis, which was about halfway between the Miander and Kibyra,?) seems This attitude of the goddess seems to have been imitated. 447. Br. 20 — AOMITIANOC |KAICAP. head of Domitianus with Laurel to the right. i CE BACTOTT | OAEITQN. Demeter with veil standing to the left, ears of grain in the. right and holding the scepter in the left. M.8. Stratoniceia. 448. P. 15 — Same as No. 78 the Mon. large p. 315, with AIOKAH C, right CT. AI and in front of Nike's Fiissen torch. Size 1.85 m. 8. 448a. P. 15 — Likewise, with MANIAC behind, KIOA in front of the head of Artemis, and on the Rs. CTPATO on the left, NIKEWN on the right. Gr. 1.16. MS. KIOA is likely the genitive of the father's name Kitbas, cf. Monnaies ge. 8, 319,)-47. 449. P. 20 — NQOTTYPO® left. Bust portrait the Artemis with laurel wreath and Crescent moon over the forehead and robe on the neck. i XTPA in section. Bearded rider walking to the right, in his right hand 1) Waddington, Rev. num. 1851 plate VII 10; Lébbecke, magazine. for number XII plate XIV 6. 2) In Kizildjeh, Bull. de Corr. bright. IX 347; On. Journal of Arch. III 365; Sterrett, epigr. _ Journey in Asia Minor 1888 p. 27.

(675) 151 a ring-shaped object (bowl?), in the left a scepter or spear holding. Gr. 3.40 Vatican. 449a. P. 19 — Head of Augustus with laurel to the right. Lkr. R APICTEAL [XIA.?] and in the Traces section of CTPA. Rider like above. Gr. 3.03M. 8. Both drachmas are of crude style and approximately the same time. About the cult of Artemis in the area of Stratoniceia various temple inscriptions.’) Meanwhile, the picture of Vs. No. 449 also the one often identified with Artemis Represent Hecate. No. 87a of Monnaies grecques 8. 316 belongs to the Mysian-Lydian Stratonikeia Hadrianopolis, whose coins will be discussed later (No. 625-637). 450. Br. 25 — CTPATONI|KEQN. Bearded tiger Emperor with halo and Scepter on the left shoulder, riding to the right at a walk. ~ R YEDICAMENOY PAAYBIOY AIOMHAOYC. Clothed female Deity with peplos inflated over her, from the front on one to the left jumping and looking back lions sitting. At the head of the lion Rays, the tail similar to that of a dog. Brit. Museum. — Plate X No. 12. See Head Hist. num. p. 530 and 531. 451. Br. 22 — CTPATO|NI)KE|ON (see above). Rider (Sept. Severus or Caracalla), Armored and with a flying cloak, walking to the right, in the left the Holding a spear. CHAIN ​​XQ. | CIMO | v. Clothed goddess on one jumping to the left and looking back lions riding and with both hinds the bow- holding her shapely over her blossomed peplos. Gr. 7.55 M. S. — Plate X No. 18. Similar coins to the last one from Eckhel, Num. vet. anecd. p. 210 plate XII 12 with ETT! ACONIAOV (Florence) and Mionnet III 377, 486 with ETT) ACONTOC. 452. Br. 22 — AHMOC. Bust portrait of the Demos with laurel and robe to the right. R CTP|ATON | IKEQN,. The same goddess to the left. Later pricking, probably out the time between Philip and Gallienus. 1) Bull. de Corr. Hell.

152 (676) The previous interpretation of the seemingly completely attributeless riding gettin on Cybele is not likely. Kher seems to be the lion rider with the female Deity in a team of lions, e.g. B. the above-mentioned Cybyratic (Artemis or Hecate), and that of Thyateira (Hekate?),1) or that on a lion standing, like the Philadelphian (Artemis or Hecate)”) can be identified to may. The lion, whose head is on No. 450 rays appear, is apparently as to be understood as a light symbol, and it is therefore of the two proposed heads, in which Géttin Isis Sothis or Hekate, the latter to be preferred. 453. Br. 39 — AV. KAI. CEYHPOC....!A AOMNA. Those facing each other Bust pictures of Sept. Severus with laurel and robe to the right and the Julia Domna on the left. i €TTI FPA. (ACONOC TOV | KAE€OBOY. CTPATONIK |€QN. Hekate in the double chiton and peplos standing to the left, with a crescent moon on the head and Kalathos, in the right a bowl (or burning lamp?), in the left flaming torch. To theirs Fiissen one standing to the left Dog, looking up at the goddess with his head turned back. Collection Waddington. — Plate X No. 14. See Mionnet Suppl. VI 538, 491 and 540, 500, both with the dog next to the girl. The attributes of the figure Kalathos, crescent moon, torch and dog?) fully ensure constantly the goddess's interpretation of Hekate, who, with the surname Sreiga, in Temple at Lagina near Stratoniceia special, attested by numerous inscriptions enjoyed veneration.’) More common than this depiction is the one with the altar, which is otherwise similar the dog's location, such as b. 454. Br. 38 - transcription illegible. The each other facing Bust pictures des youthful Caracalla with laurel and robe on the right and the Geta to the left. The latter is completely scraped away.*) In the middle round entrance Stamped with the small bust of Caracalla on the right. 1) Mon. size 390, 37. 2) Cf. Mionnet IV 101, 553 = Lajard, Culte de Vénus plate III B 2 and Arch. Zeitung 1854 p. 215. This coin does not show the head of Augustus on the obverse, but that of Demos, and standing on the lion is not Apollo, but one of Artemis Similar picture, highly armored, with bowl and torch. See below No. 605. 3) With torch and spear, sword and shield and the dog as a combatant Hekate also appears gliding in the giant relief from Pergamon, see Overbeck, Plastik II 238 Fig. 182 C; Roscher's Lexicon I p. 1908 Fig. 4) Bull. de Corr. hell. p. 82 to 104, 249-273, 479-490. 5) On the erosion of imperial heads on coins, see A. von Sallet, Journal. for Num. IT 371 and III 261.

(677) 153 ie GOT." THEM, eat is. Advice ee Ni | O.C CT. PIAQNOC CTATONIKEQN. Hekate in double chiton and peplos standing to the left, with cala on her head thos with a crescent moon on it, in his right hand a bowl over a flame- holding the altar, the torch in his left hand. In trade. 455. Br. 37 — IOVA. AO|MNAN CEBA. Bust of the Empress on the right. R€TTI APX. IEPOKA EVC (see above) B. CTPAT and in the section ONIKEQN. Athena Nikephoros enthroned to the left, the left leaning on the spear; behind the throne shield with Gorgoneion. M.S. In the last three, almost simultaneous pieces, mint officials are depicted alternately a yeauuatevc, a mevtavig and a Geywy. The first of the same and a KAsofovdog Yaoovog!), often mentioned in inscriptions, undoubtedly belonged to and same family. Tabay. 456. P. 17 — Aequitas (4ixaroovry) with scales in the right and scepter in the Left standing to the left; before that AR. Lkr. R CEBACTOC above, TABHNOON below. Capricornus, the globe between the feet, to the right. Lkr. Gr. 1.68 in stores. 457. Br. 24 — AY. KAI. TPAIA | NOCAPI. FE. AA. head of Kaiser with Laurel to the right. R TABH | NQN, Standing goddess from the front, with stiffly hanging curls and Kalathos on the head, clothed with the double chiton, in the lowered a bunch of grapes in his right hand holding between two ears of corn, the left leaning on a scepter. M. S. — Plate X No. 15. See Frélich, 4 tent. (2) 178 (Fig.); Mionnet Suppl. VI 548, 534; Ramus, Mus. reg. Dan. 1,255, 3; Sestini, Mus. Hed. I 285, Gund 7: Frélich has such a bad one of this coin, which doesn't seem to be rare Figure (as Dionysus) given that a neve after a more perfect example plare is not superfluous. The type, probably a cult image of Demeter, is nice and does not appear anywhere else in the same representation. 1) Bull. de Corr. hell. XII 8. 257, No. 839—41, 8. 269, 54. Dep. d. I. Cl. d.k. Ak. d. Know. XVIII. Vol. IIL. Abth. (89) 20

154 (678) Kos Island, 458. Br. 22 — A BO|VAA. _ Bust portrait the Bovdy with Veil wnd robe to the right. . RB KQI|QN. Naked bearded god from the front, his head turned to the right, sitting on a rock, holding a child on his slightly raised left knee, dem he tries to play something with the fingers of his raised right hand seems. Star above the child's head. Mus. Parma. — Plate X No. 16. connoisseur, by correcting the various readings that appear on other exemplars plan this coin and a simultaneous one given with O© AAMOC,') believed to recognize Silenus with the child of Dionysus in the group of Rs They were interpreted by others as Heracles and Telephus. After the here However, to conclude from the examples formed, it is not possible to classify the seated figure as Silenus should be understood, and one could therefore return to Heracles. Maybe may the star, when related to the representation, be a sure explanation of the type. Telos Island. 459. Br. 13 — AA|Mon | KP AT | IA | = between the tassels of the Aegis, which are behind is spread out over Athena's head, seen from the front. EB THAI under a crab; to the left and right of it AP...2o0€. Gr. 2. M. 8S. — Plate X No. 17. This piece appears to be somewhat older than the Knidian copper coins show a female head with the inscription AAMoKPATIAS.) The magistrate name is probably suffixed to “4exeoog or “Aoxiooog. 460. Br. 15 — Head of Athena from the front, with three bees on the helmet. R[T]JHA[! below. Crab, and above EXE [AA ?| Gr. 2.18M. 8. ' Eyédauog and “Eyedaidacg are two known from Telic inscriptions ee names;*) the name on the above coin should probably be added to one of them. Through the same inscriptions are for Telos the cult of Athena JIodcacg and of Zeus ILodcevg, on which the head of the Telic coin is located 1) Coin collection St. Florian S$. 140 plates IV 19. 2) Mon. gr. pp. 310, 49-5la. 3) L. Ross, Hellenica pp. 60-65 no. 1, 4, 5.

(679) 155 which appears to refer to which is illustrated in Pellerin, Recueil If] plate CXIHI 10. Kine fourth variety, with Athena's head to the right and the crab I have in Sallets magazine for number 1873 8. 151 plate IV 19 published. PAMPHYLIA. The geographical grouping of the Pamphylian, Pisidian, Isaurian and Western Cilician cities, as they were in use until now, is from Head in the hist. num. 8. 581 ff. new and with the exception of a few fille z. B. Etenna, that one was a Pisidian city, corrected for the period in question. Pamphylia Loses about half of the places previously attributed to this province. Aspendos, 461. Br. 22 — AVT. CAL. A. AVP.| COMMOAOC. Bust of the emperor, birtig, with laurel and robe to the right. R ACTTEN| AIQN. Nemesis in double chiton standing left, right about a griffin reaching out, the one with the bike under the right one Front paw to the left before the gettin sits, head down this one back- turning. M.8. , 461a. Br. 833 — AV. K.FA. lOV. OYH. MAZIMEINOC CEB. Bust portrait of Emperor with laurel and robe to the right. BR AC|TTE|N Zeus Aetophoros to the left sitting; before him one to the right NQIA — Seated female figure (Hera?), holding a scepter supported. In the middle of the field @. M.8. Kibyra, 3% wanked. 462. Br. 24 - Head of Zeus with laurel to the right. RK KIB[YP]JATQN right, EK left. Naked Hermes with wing shoes standing to the left and holding the staff in the outstretched right hand; around the left arm the chlamys tied to the neck. Right in round entry stamped hardless head to the right. Gr. 7.65 M. S. — Plate X No. 18. With AK in the field: Leake, Num. Hell. As. Gr. p. 42. 20

156 (680) 463. Br. 17 - The Dioscuri heads on the right with stars above the wreathed ones Mitzen. R KIBYPATOQN in the section, EK in the field on the left. Nike standing to the left, with her right hand crowning a tropaion erected in front of her, and in her Left palm branch. Gr. 4.63 M.S. Leake a. a. O. from the Mus. Pembroke II Plate XIV 6, with the Counterstamp of our No. 462. Leake, who distributed the two pieces to the great Kibyra and the numbers of the same seems to have been interpreted as the dates of the era beginning there in 23 AD having completely ignored the factory and style of the coins. These have sharpened the edge and made the back a little concave and smooth, instead in the time of Claudius, in the 1st or 2nd century BC your relatives- The association with the tortures of Cilician coastal towns from the same period therefore leaves me Courage that our coins do not belong to the Phrygian, but to the Pamphylian schen Kibyra, % ucxea, are to be assigned. This city was not far from the Kilian kish border, between Syedra and Side.) Whether the numbers 24 and 25 on an era to obtain are and on which, remains undecided for the time being; the Pompeian seems to me to be a bit too low for the style of the coins. Magydos. In the review number. 1853 8.30 Waddington records some on coins from Magydos occurring numerals,*) the neither the years of an urban era, nor the years of the imperial reign, nor the value of the pieces. Whether she really, as Waddington suspects, on one in irregular periods The recurring celebration of national games does not seem to have been further attested to date to be. 1) K. J. Neumann: on the regional studies and history of Cilicia. Yearb. for class. Philol. Vol. 127 (1883) 530. 2) IE (15) at the time of Trajan 10 (19) E , Antoninus K (20), , ll. Verus AZ (37) . » Philip MA (41) : , Gallienus. More to come on this K (20) at the time of Commodus KA (21) r. the Crispina KB (22) . of Sept. Severus.